Vain Brown Mess

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Vain Brown Mess

I cannot recall
when mirrors became
the enemy.

They reflect a stranger;
I fail to maintain eye-contact.

Cursory glances reveal
sagging, ashen skin
concealing bashful blush.

Reddish,
buttery-brown skin
barely begins my story’s depths.

Hate my lips,
my nose, love
my sad eyes,
hate the sad lies
behind them.

They see a blurry,
russet, greying, messy mesh
unworthy of the love
it somehow netted.

Legs too long,
torso too short;
too much midriff girth,
not enough bicep mass

Shoulders broad, bearing
burdens of never was,
wishful nights, and
what was once a neck

A greying-brown mess.

** *

A doctor once told me
I was a small man in a
large man’s frame, but
that was a time before nachos.

A time after that,
a beautiful, fit
personal trainer told me,
accurately,
I was a mess.

Up-selling gym membership,
but I must confess
I believed him,
nevertheless.

But as I stop averting my own gaze
and look directly at the mess,

I see the insecure boy
within the sad old man
occupying this saggy
stretch-marked meat bag.

Imperfections carry
a certain undressed beauty
left unaddressed; now I see differently.

This body is worthy of love
and being loved, despite aberrations.

Despite poor choices,
heartbreaking shortcomings,
succumbing to immediate need

Perhaps living inside
this greying brown mess
isn’t as bad as I envisioned.

** *

Written for Poets United Midweek Motif ~ Poetry about the Body, posted by Sumana Roy.

I’ve been shying away from online poetry prompts recently, opting to work on a collection I hope to have published before the end of the year. But this prompt compelled me to revisit a vulnerability I’ve dealt with since I was a child.

I apologize for yet another naval-gazing (see what I did there?) confessional poem, but this one just fell out of my head. I may take it down in a few days. 

 

Longest Night Yields to Wolf Moon

earth and moon

Image source: https://science.nasa.gov/

Longest Night Yields to Wolf Moon

Knowledge,

for a time,

lagged behind us

on the longest night

when we would celebrate,

sacrifice animals,

indulge in wine, feast,

and flesh, ignorant of the science,

the moon’s tidal-shifting dance,

stabilizing the magical tilted trance

that allows for being,

for celebration, sacrifice,

indulgence, feasting, and

blissful ignorance.

 

Knowledge,

through exploration,

measurement, and study,

having long ago cast aside sheep skins and

rosy veils of ignorance,

reveal the illusion of

Sol’s seasonal retreats and returns,

our angles, no longer dangled,

steeped in superstition and myth,

but no less necessary for our

existence, and thus,

still worthy of celebration,

sacrifice, indulgence, feasting,

and heavenly knowledge.

 

And yet!

Knowledge continues

to reveal new truths,

unlocking doorways to cosmic realities;

the longest night, the redundant,

recurring, cyclical cycle of ending,

beginning, rendered trivial,

infinitesimal against infinite

intergalactic backdrops.

 

Knowledge stands before me

in this January doorway,

rendering me insignificant,

raising the curtain on liberation,

beckoning me to wonder at

what has yet to be unlocked.

I will feast upon her

in a drunken stupor,

all the while, a wizened man

howling at the new year’s Old Moon.

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Photo by Aaron Thomas on Unsplash

** *

(Mild nudity in video. Mildly NSFW.)

Written and shared for the prompt, Poets United Midweek Motif ~ Doorway(s), posted by Susan. Feel free to stop by and read other poet’s entry to this prompt

January is my birth month, which hasn’t held much significance in my life in quite some time. Susan shared some intriguing knowledge on January’s origin that compelled me to take another look at it. Per her entry:

“Door” is also the deepest root meaning of January:

 January (in Latin, Ianuarius) is named after the Latin word for door (ianua), since January is the door to the year and an opening to new beginnings. The month is conventionally thought of as being named after Janus, the god of beginnings and transitions in Roman mythology, but according to ancient Roman farmers’ almanacs Juno was the tutelary deity of the month.

Pretty neat stuff! How could I not break the seal on 2018 and scribble a few lines after that?

 

Monkey Pause

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Photo by Matthew Kane on Unsplash

Monkey Pause

A troop of

young Japanese macaque

frantically chase

evening moon’s reflection

upon hot spring’s surface.

 

Moonbeams reflect,

refract, fragment, flitter,

fleeing tiny grasping fingers

scattering light

leaving callow plunderers only shivers

for their boundless efforts.

 

Matriarch and Alpha

observe the scene

sitting in silent stillness

warming, cooing,

grooming one another in the depths

content with the moon above

its countless illusions below

and the crisp air between.

 

Nothing is obtained

this moment is now

everything is as it is

what should be is trickery; just

moondust eluding monkey paws.

** *

Written for dVerse I Once Used an Earthquake–dVerse MTB: Symbolism, hosted by Victoria Slotto We were encouraged to write a symbolic poem. This one still feels a bit “on the nose”, but meh, I’ll take it.

 

Go here to read other poet’s contributions to this prompt.

Echo’s Lament

John_William_Waterhouse_Echo_And_Narcissus

Echo And Narcissus, John William Waterhouse (1903)

Echo’s Lament

I am not yet ready to live
and yield my love to another

I have not yet explored
the wonders of choice

having none to choose from
other than my unanswered desire.

My waning heart cannot see
beyond the beauty by the pond
who will not see me

as I diminish with daylight
you won’t see even less

I will not waste time
embracing another

You are kind and fair
but reflection can never compare

So much the better;
had I caught your eye

Your gaze reflected
upon my echo
repeated back
into your flawless eyes
reflecting into the echo
chambered within my
unrequited heart
would echo my loss
onto your being

reflecting an infinite wound
and I adore you too much
to even risk destroying a world
where you can only find love
at the surface of you

I’d sooner die than crush
even the façade of you and

I’d sooner die than live
without my beloved

I’d sooner die and wither
like crystalized narcissus
in a December evening frost

I’d sooner die in a winter whisper
heard only by the lonely
and I’d sooner die
sooner still

I’d sooner die
and fall
into nothing
but sound

I’d sooner die
sooner…
die

** *

Written for Poets United Midweek Motif ~ Narcissus (Vanity/Narcissism), hosted by Susan. I chose to give voice to Echo, the mountain nymph, because of course I did.

Because of course I did.

I did.

 

Left Hand

Left Hand

Melody

she plays with me

in familiar keys of

The song

pulsating with a vibrancy

she glides with me

reliantly

she comes

spiraling from soprano

rafters like a raptor

 

I am captured flat and

sharply raptured back

 

into wry smiles

within her rhythm,

her movement

moves Miles

along

currents swelling

from fingertips,

compressing

 

flowing,

spilling vibrations

sensationally

sonically caressing,

 

undressing her expression,

tingling a taut spine,

into loosening,

expressing what

we want

which is to tap

our foot in time

with her universe

 

increasing rapidly

haphazardly

astoundingly

muttering a curse

 

as the floor is felt no more

as our rapport

goes on unrehearsed

awe is dispersed

and then

what comes

is the melody

she played for me

in invented keys, free

to romp

pulsating with a vibrancy

she glides for me

defiantly

we stomp

diving from soprano

alighting near the altos

capturing counter-tempos

we come

baring nimble fingertips

ruling our rhythmic hips

soaring above mundane grips

we jaunt

and then we thump

to her melodic

microscopic

atomic-smashing

powerplant

it pumps

and then it jumps

tracks,

exchanging tempo

in time with

refined lines

I skip it

with her,

slightly behind,

but shit,

nobody minds,

freely

we balter

her id

leading evocative

moonbeams to traverse,

as planned

 

I skid,

reading provocative

loony dreams,

unrehearsed, and

I miss it

we falter

she has me

right where she wants us

 

at her fingertips,

and her fingers slip-weave

constellations

 

she baits,

but will not wait

for me to map her

destination, so I

play catch up

while she plays

parlor games with my soul

using only her right hand

she kissed it

with her left.

** *

Inspired by dVerse’s Jazz poetry with Amaya, hosted by guest poet, Amaya Engleking. We were encouraged to write some jazz poetry, or jazz-inspired poetry. Go here to read other dVerse poets’ contributions to this prompt.

I guess my whole vibe is that I kind of accidentally already live in this jazzy poetic realm. Still, this challenge reminded me of a recent jazz session.

I had the privilege of taking Wifey out to Jazz Alley for her birthday earlier this month and catching Hiromi Duet featuring Edmar Castaneda. They were amazing together, and Hiromi was especially mesmerizing in her solo piano work. I found a clip of her performing a song that just knocked the stuffing out of me live. It’s called Sicilian Blue. Anyway, my poem isn’t exactly about her, but it is most certainly inspired by her music.

(Also, sorry I’ve been away for so long. I’ve been struggling with depression and some unexpected life-altering changes. No one is in danger or poor health, but there were changes that I’m still struggling to adapt to. I ask for your continued patience and kindness. We’ll survive this. If I don’t see you again by year’s end, I’ll see you on the other side of 2018.)

Ode to Good Senses

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Photo by Yoann Boyer on Unsplash

Ode to Good Senses

I have the greatest nose I know

I can detect strawberry,

Spiced cinnamon

And encapsulating earth-tones

Of her presence

 

My ears are tremendous acoustically

Bringing me songs of her laughter

Cocooning me in the

Comforting confines

Of her cooing voice,

Granting warm pathways to her

Innermost ideas

The percussive reassurance of her

Light snoring, like raindrops

Shushing the roof above us

 

These astonishing eyes of mine

Take in the angles of her smile

At angles where gods and goddess

Are perceived, but pale in comparison

To the sight of her in flannel pajamas

Doubled-over, compressed

Tickled, in-spite of herself

By our silly whimsy

 

My body is buoyed by

A buffet of sensation

Of touching and tenderness

Of her connection

We cuddle and exalt

Life with definition

We touch and connect

And flush as cells rush

We infuse and blend

Molecules, use, renew

Our fire, chemically tuned

To our new, sacred element

We touch and forge,

We kiss, and sparks tell

We embrace, and I face the folly

Of oneness within our absurd bliss

 

I taste supernovas

Of past lives

On her lips,

Elemental fire-quenched eclipse

Craving her flavor rewrites code and creed

I drink her in abundance; she is

More than I needed and never enough

 

But there is something more

Within her, beyond perception

Greater than inhaling her presence

More tremendous than her vibrations

Transcending her astonishing spectrum

More buoyant than her touch

Beyond infinity of her taste

 

I cannot smell, hear, see, feel, or taste it

But I know it to be the purest form of her

As great as my fine senses are

I am grateful to find

Something greater in her.

** *

Written for Wifey, on her birthday on November 12.

Shared at Poets United, Poetry Pantry #378.

 

 

The Laundry

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Photo by Jesse Bowser on Unsplash

The Laundry

Once upon an evening dreamy, reclined beyond conscience unseemly

Clean-laundry piled shotgun beside me burst forth with Terri Ann’s allure.

Her voice apparent, yet quite untimely, bubbled with laughter, light and finely-

Tuned for my perception, winding her time, which ended years before

A decade before, less or more. Is my mom’s soul now laundry lore?

I’m just baked. I must ignore.

 

We watched cartoons and tripped fantastic, Kush-soaked reflections, quite elastic.

Asked laundry-mother what traumatic lesson her spirit had in store?

Her laughter warmed peripherals, soft linen, looming lavender smells

Her soothing hearth of laughter tells me, unseen, with heart a-pure

Soothing song sang as she gathered with mother’s heart, rang, not demure

Laundry said, “You must endure.”

 

I laughed at her linen reprisal as if she sensed my suicidal,

Un-suspenseful thought-revivals. I asked clean laundry, “Is there more?”

For to suffer life in silence, its smearing rife with leering violence,

Abysmal veering into blindness; is that our fate, and nothing more?

Subliminal closed-mindedness? Should I get baked and just ignore?

Spit at fate, and what’s in-store?

 

My laundry-mother laughed disarming laughs, belying life’s alarming

Nature, nurturing and charming me, unanswered, insecure.

Her non-answers thrust upon me like a thirst quenched by tsunami

Voicing visions far beyond me, unseen, she sings with heart a-pure

She stings my heart, weary, unsure, with momma’s voice ringing a cure

Laundry sang, “You must endure.”

** *

Written for dVerse Poetics’ The voice of the monster, hosted by Björn. I know I’m a day late, but I thought I’d share an actual ghost story that happened to me about a week before Halloween, when my mom visited me during a low point. I’m agnostic, but I believe my mom dropped by to kick my ass, get me to stop feeling for myself and keep grinding for the fam. Perhaps in my case, the monster was my depression? (Who am I kidding? It’s almost always my monster.)

Go here to read other spooky stories.

 

My Ghost, No Longer at This Address

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My doorway.

My Ghost, No Longer at This Address

Upon my untimely death,

a chaotic redundancy

as death is untimely

 

except suicide,

which I don’t currently abide,

but that’s another vibe…

 

I request my epitaph be

“Life was often confusing,

difficult, and demoralizing,

but I laughed a lot,

so maybe it wasn’t all bad.”

 

Verbose, yes; feel free

to edit before placing

on headstone, or urn.

 

I have no preference

on my corpse’s disposal.

If I’m right, it is

only an empty shell anyway,

 

as sturdy abandoned houses

that once hosted countless

Christmas dinners

are no longer homes.

 

The phenomenon

or mechanism of me

is long gone from here.

** *

Written for imaginary garden with real toads FASHION ME YOUR WORDS ~ Lets build houses. Also shared at Poets United’s Poetry Pantry #377.

As we’re close to Halloween – widely regarded as the point where the threshold between the living and the dead is at its weakest – I found myself thinking less of home building, and more of ghosts, including my own, leaving their bodies (their homes for the duration of their lives) for the first time.

 

Lifted, Chopped, and Screwed Affirmations

Lifted, Chopped, and Screwed Affirmations

I am of hip-hop

Jazz is my mother

Soul is my father

 

My pulse, reclined

refined bass-line

 

My bones creak

counter-beats

 

I feed on funk

to find the funk

 

I count tempo

with Counts

Duke-out measures

with Dukes

 

My birthright,

American as

sweet-potato pie.

** *

 

Written for dVerse’s Quadrille #43, hosted by Grace. I figured I’d give a shout-out to one of my first loves. Also, here’s another cool video on the evolution of hip-hop verses:

Go here to read other poet’s contributions to this prompt.

 

But Much More Than That

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Photo by frank cordoba on Unsplash

But Much More Than That

Red-shifted light is

moving away from us at

unimaginable speeds.

 

Nature’s senescence

will overtake us before

we could conjure a method

of overcoming physics.

 

Red hue of dim light

surrounds us now, painting your

rosy silhouette kneeling

upon tangled plum bedsheets,

 

facing away from

me, preening your neck to peer

my darkness, closing behind

you, smiling coyly with

 

licentious lips that

I imagine must taste of

bourbon and fizzy ginger,

its bubbles catching a faint

 

gleam in your eyes as

I fall into you, and I’m

overwhelmed by a vision

of blue ocean lapping at

 

your sun-kissed skin as

you serenely swim away

from my anchored boat moored at

the edge of my comfort-zone

 

I page through my book,

pretending not to obsess

over your safety as you

let currents increase distance,

 

peeking over your

shoulder, confirming I’d be

there, right where you left me, no

longer in the red. You are

 

to the left of me

and my teasing left you with

the impression that I had

forgotten your name.

 

You tsk me for it

from behind wine lips and we

collapse in rose-hued laughter.

***

Shared at Poets United Poetry Pantry # 376