Day 0: Adam & Edna (Self-Portrait as Lucifer)

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Image by Foundry Co from Pixabay

Adam & Edna (Self-Portrait as Lucifer)

In the beginning,
Genesis
would make for
dull reading,

for I’d never consider myself
the most beautiful
of His angels.

Imagine a Devil
lacking a Devil’s vanity and hubris,

with my mediocre looks,
reddish-brown skin,
kinky, nappy hair,
coke-bottle glasses and
aggressive underbite.

I’d surely be tempted by
fruit from the tree of knowledge, and I
would certainly seduce Eve to partake,

but as I’m quite non-confrontational,
we’d leave Adam out of the equation,

fleeing Eden
for a small hamlet
on the far corner of the world
called Victoria, B.C.

In the beginning,
I guess He would have to take
a second mortgage
on another of Adam’s ribs,

and the world would learn the tale
of Adam and Edna,
eternal servants of the Lord
who never knew age, death, misery,

or anything remotely resembling
knowledge.

Just happily stunted,
blissfully obedient,
eternally dull ignorance.

For Eve and me,
her favorite serpent,
there would be no battle
for the souls of humanity,

only lazy Sunday scrolls
through the town shops,
enjoying the crisp air rolling in
from the Straits of Juan de Fuca.

Frantic calls
about a “final battle”
from Him
and His Favored Son
and also Scam Likely
would go straight to voicemail.

Come to think of it,
after discussing with Eve
about spicing things up,

I find it an injustice
leaving Edna in the dark
about the chill vibe
of the Pacific Northwest.

In the beginning,
perhaps He will need to
take a third rib from Adam.
***

Written for NaPoWriMo’s early-bird prompt: write a poetic self-portrait, portraying yourself in the guise of a historical or mythical figure.

Author’s note: I never meant to offend anyone guided by their faith, though I imagine most of you exercised self-care and stopped reading after the title. Full-disclosure, I was raised in a Roman Catholic family, but I’ve always been agnostic.

Tao of Demon Feeding

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Image by Klaus Hausmann from Pixabay 

Tao of Demon Feeding

Your demon needs you to yield to yin
Yoni expands, she ripens, giving
Yang overflows before you begin

Ingest to ingress and press to skin
She’ll guide your hand to feel her living
Your demon needs you to yield to yin

Yearning blurs taboo, blending blade-thin
Pierce her lines, brazen, unforgiving
Yang overflows before you begin

She drinks your light, making your head spin
Meld with her ache without misgiving
Your demon needs you to yield to yin

Sticky, warm, and sweet, she drips from chin
Melt mingling, streaming, beyond sieving
Yang overflows before you begin

Surrender to salvation within
Some little-deaths merit reliving
Your demon needs you to yield to yin
Yang overflows before you begin
***

Written for dVerse Forms for all – the Villanelle, hosted by sarahsouthwest. Other poets contributed to this prompt here.

a wednesday or thursday night at a half-empty pub

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Photo by Steve Halama on Unsplash

a wednesday or thursday night at a half-empty pub

hazy season
lost to memory
lazy reason
evaporated into
emptiness both felt

he seemed…
almost ok

she
good enough
for now

intimate chemistry of voids
imprecise, gap-filling science

trolling pubs for meaning
finding only flirty diversion

“I’m bored,” she said.
“Wanna leave?”

He nodded.
***

Written for dVerse Troll quadrille, hosted by Frank Hubeny. Other poets have contributed here.

She Reminded Me of That Night

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Photo by Joshua Newton on Unsplash

She Reminded Me of That Night

The deckplates pitch,
dive, and roll
beneath my feet,
denying any firm sense
of place.

Darkness pours into sight,
lenses straining for substance,
pupils expanding to
engulf any semblance
of light in moonless night.

The ship’s hulking,
shadowy silhouette
lurches into view,
slowly shrugging as
I ride her spine,
the sound of her
slicing the ocean
is a choir of
Poseidon’s vanguard,
shushing our advance
through His domain.

The peacefully disquieting scene
is almost bearable until
turning my gaze upward,
facing the weight of the cosmos itself,
the twinkling slivers of each planet,
star, cluster, nebula, galaxy, light
from both minutes and millions of years ago,
all bearing down upon my brittle soul at once,
crushing me with the weight of
my own insignificance…

“Do you remember that sensation?”
she asks, pausing to clean
her multicolored,
dappled feline fur
passively observing
my tormented meditation.

“Stop it!” I gasp,
squeezing my eyes shut
even tighter.

“You became disoriented,
and had to look away
to regain your bearings,”

she continued,
chuckling to herself.

“Remember how the
near-endless
points of light
became the spots
of my fur?”
she pressed on
unhurriedly,
but resolute.

“Just reminiscing about it
makes my head spin,” I whimper.
“Please, Nihirizumu. Enough.”

“But you asked me
about the pulse of your poetry,”

said Nihirizumu
in a mocking tone.

“You wanted to know
where that throbbing vibe came from,
so long ago
or did you not?”

“I remember now,” I concede.
“It’s too much for me. Please stop.”

“Very well then,”
said my poetic pride
with a weary sigh
and dismissive tail-flip.

“But you need not shrink away
in fear of the cosmos.

“You think yourself insignificant
in comparison to its light,
but you are both from it
and of it.

“I hope that one day
you will gaze upon the vastness
secure in knowing
that you gaze upon yourself.”

I opened my eyes,
took a deep cleansing breath, and
began writing this.
***

Written for dVerse Poetics -your poetic hum, hosted by Gina. I missed the prompt, so I’m sharing it at Open Link Night # 239, hosted by kim881. Other dVerse contributors can be found here and here.

While there is virtually no link to my poetry and what I do for a living now (frankly, each entity exists despite the other), there was a link to when I was once a sailor staring into the night sky free from light pollution for the very first time. I don’t recall ever feeling as small as I did that day, but that was only part of it…

With the deck moving beneath my feet and no point of reference, it felt like being everywhere and nowhere simultaneously. It was as thrilling as it was terrifying.

Pity the Pitiless

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Photo by Peter Lewis on Unsplash

Pity the Pitiless

You will never know true love
You, who weighs all things by gains
You’re left a wealth bereft of
Substance and joy, your void reigns

You, who weighs all things by gains
Born into meaningless means
Substance and joy, your void reigns
Stranger to spring’s renewed greens

Born into meaningless means
What is sin, you call a win
Stranger to spring’s renewed greens
The want you chase? Frail and thin

What is sin you call a win
You’re left a wealth bereft of
The want you chase; frail and thin
You will never know true love

You’re left a wealth bereft of
Compassion; lost, you taunt fate
You will never know true love
Your flock divides, wielding hate

Compassion lost, you taunt fate
Lies, scapegoats fuel your sad boast
Your flock divides, wielding hate
Both them and you suffer most

Lies, scapegoats fuel your sad boast
But spring sun will have her turn
Both them and you suffer most
You will never feel the burn

But spring sun will have her turn
You will never know true love
You will never feel the burn
You’re left a wealth bereft of

You will never know true love
To hold her hand, knowing God
You’re left a wealth bereft of
True gold, searched by dowsing rod

To hold her hand, knowing God
Surrender to selfless need
True gold, searched by dowsing rod
Not obtained through hate and greed

Surrender to selfless need
Unlocking joy none can buy
Not obtained through hate and greed
Treasures few can quantify

Unlocking joy none can buy
You’re left a wealth bereft of
Treasures few can quantify
You will never know true love

You will never know true love
You’re left a wealth bereft of
***

Written in honor of the peaceful worshippers in New Zealand who had their lives violently ended by a hate-filled man who was enabled by hate groups emboldened by greedy, racist, selfish, corrupt leaders (I’m sure you know the one leader I’m thinking of. I won’t give him the satisfaction of writing his name.)

Shared at dVerse Poetry–a Piece of Written Art, hosted by Victoria C. Slotto. We’re still dabbling with the pantoum form here.

Love, for Love’s Sake

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Photo by Charlie Hang on Unsplash

Love, for Love’s Sake

I have loved romantically
while being oblivious to its depths,
confined to the surface,
grasping at facades of
who I wanted to be
and who I wanted to
completely consume me,
growing mystified by
its brittleness
and inevitable indigestion.

I have loved, by sticking my head
inside an alligator’s mouth on a dare.

I have loved the greener grass
and the path untraveled
until detours revealed illusory scope
and textures tricking optics
into grasping curves
bent into ripened shapes
by light’s deception; I have loved
but a figment of her living ghost.

I have loved an imagination
and watched it slain by her reality.

I have loved deep
into the core elements of another
swiftly and inexplicably,
with the instant shock
of total immersion into
freezing waters,
slowing until bonds arrest us
in an exquisite insanity,
tricking the brain
into seeing love and attachment
as one and the same,
which renders all into ashes.

I have loved at first sight
and it seared my retinas.

I have loved
despite my best efforts not to love,
which, in essence, means that I have failed
at both loving and not loving
nearly simultaneously.

I believe therefore
we call it “falling in love”,
for no sane person
would willingly choose
this brand of nonsense,
steering directly into it
as one who wishes to be warm
plots a course directly into the sun.

I have loved over time against my will
and it was wonderfully traumatic.

I’ve flipped
the game
on its head
countless times;

each time,
my game piece
lands inside
the gator’s mouth.

I now love, knowing
its tremendous highs and incalculable lows,
the capricious nature of reciprocation
and whimsically fickle access to action
to fully experience and share,
fully aware that I wield little power
over the gambit,
only my position on the board
of an ultimately unsolvable game.

I now love with a full heart, knowing
that though I often experience bliss
and wield love to lift her
to fleeting triumphs with me,
ultimately I can never win,
and even as we run out of moves,
as we retire or surrender to fate
and, inevitably, as we
begin to lose each other,
the game will continue.

I now love,
not as a matter of choice or dare,
not with purpose nor design on winning;

I now love without purpose
because I see little purpose in not loving,
and also, aimless, purposeless love
is just love for love’s sake.

I now love that I love.
***

Shared at Poets United Poetry Pantry #442.

I Carved a Wish and Let it Rot

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Photo by Tianshu Liu on Unsplash

I Carved a Wish and Let it Rot

I carved a wish and let it rot
Do not make us a trite cliché
We wandered lives we both forgot
In overripe, fragrant decay

Do not make us a trite cliché
Your focus shifts, discarding me
In overripe, fragrant decay
Your hold on me, an empty plea

Your focus shifts, discarding me
I know that look, lived in its gaze
Your hold on me, an empty plea
Our history, beautiful haze

I know that look, lived in its gaze
We wandered lives we both forgot
Our history, beautiful haze
I carved a wish and let it rot

We wandered lives we both forgot
You flirt with him, turning the page
I carved a wish and let it rot
A labored pace, our passing age

You flirt with him, turning the page
In your heart, I am long replaced
A labored pace, our passing age
A sketched-out dream blotted; erased

In your heart, I am long replaced
It seems your wish has withered too
A sketched-out dream blotted; erased
Yet I still smile at dreams of you

It seems your wish has withered too
I carved a wish and let it rot
Yet I still smile at dreams of you
We wandered lives we both forgot

I carved a wish and let it rot
As all things end in their own time
We wandered lives we both forgot
Melodic memory sublime

As all things end in their own time
I wish you love and a full plate
Melodic memory sublime
We conjugate, entwined by fate

I wish you love and a full plate
As we are not a trite cliché
We conjugate, entwined by fate
In overripe, fragrant decay

We wandered lives we both forgot
I carved a wish. And let it rot.
***

Written for dVerse Poetry Forms – The Pantoum, hosted by Gina. Other poets’ contributions to this prompt can be found here. I probably veered slightly from the authentic structure of a pantoum, but I knew from the moment I read about this form that I wanted to tinker with it.

My thoughts on the origin of this poem: Nothing major. Wifey and I were discussing how our previous marriages and romantic relationships ended and how we often have moments of clarity when a relationship has tragically run its course prior to either party officially announcing the ending.

This part of a relationship is rarely a positive experience, as rarely do both parties come to the same conclusion at the same time. Someone always wants to hang on a bit longer, and that makes things rather messy.

This poem is a fictional account of an idealized version of one of these endings where both parties maintain a semblance of dignity and equanimity at journey’s end. I like to think that the couple in the poem remained good friends even after their romantic journey ended.

Feel free to offer constructive feedback if you feel moved to do so. Or not. No pressure, either way.