NaPoWriMo Day 27 – Flutterby

Photo by Karina Vorozheeva on Unsplash

Flutterby

Have you ever been
through the looking glass, yourself?
Can it be worth it?

Dull ache of crossing over,
relearning of left from right,
all bold things being equal,

and still, you’ll never
actually catch the dragon?
The unicorn? The flutterby?

Is it better to wait; to
admit that you truly miss
them, gaging the distance from

your side of the glass
where there is still suffering,
rules, just as unjust,

but at least you know
the horizon and beyond
are never meant to be caught?

Anyway, I truly miss you.


Written for NaPoWriMo Day 27 Prompt:

“In today’s (optional) prompt, I’d like to challenge you to write a poem inspired by an entry from the Dictionary of Obscure Sorrows. The entries are very vivid – maybe too vivid! But perhaps one of the sorrows will strike a chord with you, or even get you thinking about defining an in-between, minor, haunting feeling that you have, and that does not yet have a name.”

NaPoWriMo Day 27 Prompt

I didn’t pick a single entry, as reading through most of them put me in a melancholic zone, and I was already pretty bummed-out from my day job to begin with. Let’s just say that the Obscure Sorrows’ body of work inspired me to write this.

NaPoWriMo Day 25 – Ordinary Sunday Morning

Photo by Matthias Groeneveld from Pexels

Ordinary Sunday Morning

a spring storm sputters from the blue,
dancing on bathroom tiles, and I know
as foggy dream yields to hazy reality
you have already answered daybreak
for your Sunday morning shower.

you sigh and coo in blissful oblivion
and doves take flight up my spine.

your hairdryer yawns into action
as you hum a backing tune
while I sing the lead in my head,
lying in our bed, one knee crocked,
staring out the window to horizon as
cotton candy slowly trades
back and forth with blue.

I act as if asleep as you reenter
our bedroom, shadow falling upon me
like the world’s warmest blanket,
failing in your efforts to move silently.

“Stop faking,” you admonish gently,
and despite myself, I lose a snicker.

on occasion of an ordinary
spring Sunday, well before noon,
sneaking a peak, there you were, uncovered,
and upon widening my eyes to drink you in,
every depth, contour, and Venus dimple
of treasures previously beyond conception
came into focus from eastern daybreak.

“What?” you ask through wry grin,
as if you could not possibly know.

but you do know.


Written for NaPoWriMo Day 25 Prompt:

“Our prompt for today (optional, as always) is to write an “occasional” poem. What’s that? Well, it’s a poem suited to, or written for, a particular occasion. This past January, lots of people who usually don’t encounter poetry got a dose when Amanda Gorman read a poem at President Biden’s inauguration. And then she followed it up with a poem at the Superbowl (not traditionally an event associated with verse!) The poem you write can be for an occasion in the past or the future, one important to you and your family (a wedding, a birth) or for an occasion in the public eye (the Olympics, perhaps?).”

NaPoWriMo Day 25 Prompt

NaPoWriMo Day 23 – So You Still Wanna Know About That Dream

Photo by cottonbro from Pexels

So You Still Wanna Know About That Dream

where we never knew how to let go

with all Midnight Plains a playground
we crammed into each other’s airspace
as if we’d implode from any separation
licking our past from our lips
compressing present between thighs
hearing the future grunt from our core

soaked in milky-way sky and malbec  
unlocking French on flannel sheets
Great Divide traversed before dawn
and dew drops kissed our skin

we writhed, undeterred by chill of fog

we wore our own tropical high
melting Olympic glaciers upon release

us furious lovers; us selfish givers

when I awoke, tangled in your absence
wisdom made for poor company.


Written for NaPoWriMo Day 23 Prompt:

“Today, I’d like to challenge you to write a poem that responds, in some way, to another. This could be as simple as using a line or image from another poem as a jumping-off point, or it could be a more formal poetic response to the argument or ideas raised in another poem. You might use a favorite (or least favorite poem) as the source for your response. And if you’re having trouble finding a poem to respond to, here are a few that might help you generate ideas: “This World is Not Conclusion,” by Peter Gizzi, “In That Other Fantasy Where We Live Forever,” by Wanda Coleman, “La Chalupa, the Boat,” by Jean Valentine, or “Aubade: Some Peaches, After Storm,” by Carl Phillips.”

NaPoWriMo Day 23 Prompt

I responded to “In That Other Fantasy Where We Live Forever,” by Wanda Coleman.

NaPoWriMo Day 22 – On Losing One’s Virginity

Photo by Michael Prewett on Unsplash

On Losing One’s Virginity

Why it’s called deflowering
transcends imagination
groping upon irony.

Days after sweet seventeenth
I gifted her my flower
grinding artlessly in darkness.

A year earlier, she yielded hers
to her soulmate, who promptly
snatched his soul back afterwards.

I cannot say I blame him, as
no magic burst from novice fumbling;
only visceral urgency, dread,

unfathomable yearning, learning
new ways to move, to remain still,
to apologize while still inside

while eyes are still locked, still
one sticky organism with two
muddled minds; an anti-flower.

Deflowering propagandists should
seed new gardens with more accuracy;
first time is slapstick humor at best,

but if both get the joke and laugh
there may be a second time, and yes,
that will be hilariously awful too.

But the third time you may feel petals,
gifting and regifting back and forth
trading an unending source of flowers,

and therefore, the very term we use
 – this so-called “deflowering” – has not
and never will make a lick of sense.


Written for NaPoWriMo Day22 Prompt: We’re examining “the strength of metonymy in poetry” today.

“…I’d like to challenge you to write a poem that invokes a specific object as a symbol of a particular time, era, or place.”

NaPoWriMo Day22 Prompt

NaPoWriMo Day 20 – Undone, Apart, Melting

Photo by Toa Heftiba on Unsplash

Undone, Apart, Melting

You come undone, head clouded,
brow knitted with petty matters.

Apart, I also brood and fret;
small matters wreaking great distance.

Our eyes meet, laughter melting us
as we embrace what matters most.


Written for NaPoWriMo Day 20 Prompt:

“Our (optional) prompt for the day is to write a sijo. This is a traditional Korean poetic form. Like the haiku, it has three lines, but the lines are much longer. Typically, they are 14-16 syllables, and optimally each line will consist of two parts – like two sentences, or a sentence of two clauses divided by a comma. In terms of overall structure, a sijo functions like an abbreviated sonnet, in that the first line sets up an inquiry or discussion, the second line continues the discussion, and the third line resolves it with a “twist” or surprise. For more on the sijo, check out the primer here and a long list of examples in English, here.”

NaPoWriMo Day 20 Prompt

I love learning new forms, and this one was fun.

NaPoWriMo Day 7 – Echo of Whishes

Image by Goran Horvat from Pixabay 

Echo of Whishes

Your
name
flitters
from past-life
embracing the now
with warming butterfly kisses
which cause an echo of whishes
flowing to greet your
musing smile
a fond
name
mine


Written for NaPoWriMo Day 7 Prompt:

“There are many different poetic forms. Some have specific line counts, syllable counts, stresses, rhymes, or a mix-and-match of the above. Of the poetic forms that are based on syllable counts, probably the most well-known – to English speakers, at least – is the Japanese form called the haiku. But there are many other syllable-based forms. Today, I’d like to challenge you to pick from two of them – the shadorma, and the Fib.”

NaPoWriMo Day 7 Prompt

I’ve dabbled with the shadorma a few times, but I cannot recall ever trying a Fib, so naturally, I went with the unknown to see if I could make a new friend of it. The Fib is a fun, light form that seems made for nostalgia.

NaPoWriMo Day 1 – Perfect Moment

Photo by Sabine Ojeil on Unsplash

Perfect Moment

Galaxies coalesce
dispersing in bone marrow
while heart keeps time with paisley chaos

for the scantest of moments
the universe murmurs every messy secret
into overflowing vessels

causing breath to catch mid-gasp
as we collectively forget
how the melody ends

and anyway,
perfectly half-baked
and fully-formed was our jam

that was the half-beat
just after her stunned silence
and teary-eyed smile

before whispering what I already knew,
a chorus of rhythm and rhyme
without words

yet somehow, I had always felt them
long before our pride and shame
muddied things and anyway,

no spirit, green-leaf or opioid
will ever hold technicolor candle to
the perfect twinkling
of her raspy, first-time ever

“I love you too.”


Written for NaPoWriMo Day 1 Prompt:

“Sometimes, writing poetry is a matter of getting outside of your own head, and learning to see the world in a new way. To an extent, you have to “derange” yourself – make the world strange, and see it as a stranger might. To help you do that, I’d like to challenge you to write a poem inspired by this animated version of “Seductive Fantasy” by Sun Ra and his Arkestra. If you don’t feel after watching it a little bit like the top of your head’s been taken off, and your thoughts given a good stir – well, maybe you are already living in a state of heightened poetic awareness!”

NaPoWriMo Day 1 Prompt

Well, I don’t know about heightened poetic awareness, but that song and video was a whole vibe onto itself. I played it on repeat and allowed it to take me wherever it wanted me to go. I embedded the video above.

my five great loves in five verses

Image for post
Photo by Xin on Unsplash

verse one — vergence of failed lineages

groping in darkness
finding us
solace in cursed woods

Image for post
Photo by Kat J on Unsplash

verse two — piercing grey eyes

escaping colors
we immersed
smearing our real worlds

Image for post
Photo by Juliette F on Unsplash

verse three — craving her grip

she lured me to realms
of too much
and of not enough

Image for post
Image by Lindsay Stewart from Pixabay

verse four — a different lingering vibe

just like a warm bath
she met me
where touch craved her most

Image for post
Photo by Roman Kraft on Unsplash

verse five — our time in smiles

soft, yielding dancer
I held you
synched by our music


Originally posted on Medium by Barry Dawson IV for A Cornered Gurl.

She is…

Photo by James Wheeler from Pexels

She is…

a peace profile
in sepia tones and
cotton candy dreams.

She is of crescent moons
golden curves and
star shine reflected in
half-open eyes of
REM sleep
digesting another day
on the apex of praise
attention, and even parody;

a knowing eye-twinkle at rest;

grace under any light
lunar or lampoon;
luminous
even among blackened
new moon night;

She is earthshine;
a crest of coral ocean foam
only hinting at the volume
of her riches within;

of permanent afterglow
guiding her acolyte home.

She is of resting face, lines
curving down at the corners;

not a frown, but layered
determined peace; a portrait
of meditative resolve
smoothed upon a
capricious landscape.

She is a cosmos
unto herself
but even she has
her breaking point;

she greets me at her center,
with shoulders slumped;
her horizon curves
back onto me,

and I learn of the depths
of my own strength
holding heaven aloft
with only my two frail arms
and everything I am

The nature of things is that
I am and she is.

But often I am
because she is.

Occasionally I am
so that she is.
***