Solemn Solstice

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Photo by Anish Nair on Unsplash

Solemn Solstice

The sun lingers longest today.

The weather-guessers were wrong
about the heat wave.

In fact, there was light precipitation.

Preferring the rain, I am relieved.

I don’t even know why I wrote
“precipitation” instead of “rain”.

I’m no meteorologist.

I guess the unscheduled rainfall
wasn’t up to my lofty standards.

It was a halfhearted rainfall,
followed by an indifferent sunbreak.

Felt more like angel’s spit
than the weeping we’ve earned
for this crapsack existence.

My hemisphere turned
fully into the true glare
of sunlight, and everywhere I turn,
I glare at two shadows
of the Four Noble Truths.

I see only suffering and
man’s indifference to it.

I see children crying in pain,
fear, hunger, and terror;
if they’re lucky, they’ll just receive
the mercy of ignorance
in the form of being ignored,
or perhaps they’ll only languish
as the butt of cruel jokes
they’re mostly ignorant to.

I see indignant adults
viciously targeting them
for exploitation
or other vile indignities.

I see servers and protectors
silencing them permanently
in brass precipitation
because that’s the way
it’s always been and apparently,
that’s the way it needs to be.

The days grow shorter now.

It is the nature of our earth’s tilt
in reference to our position on it
as we continue our
inevitable journey around the sun.

Our share of daylight
will gradually be transferred
to our antipodean brothers and sisters,
in the way it’s always been.

We are powerless to stop
this natural phenomenon.

I am relieved.
***

A Contemporary Fiction

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Photo by Steve Roe on Unsplash

A Contemporary Fiction

I wanna be able to
walk away from folks
like anime characters do,
ya know? Like, not even

wasting energy
on words like
“I love you,” or
“Goodbye forever,” or, or,

or, “I never wanna see you again.”

Somewhere within that spectrum, ya know?

Because regardless of where
you fit on that scale,
you should already know it,
ya know? Where you stand…

Without me needing to spell it out to ya.

Yeah, I’d leave the scene
with an unhurried gait and
a stoic, hardboiled heroic
Hemmingway protag expression

poker-facing what lies beneath the surface
where it’s clear that I’ll cherish the bones of you
till it causes my own bones to perish,

aching at your absence
or reluctance to stare into the heart
of this shared melody with me.

But just glimpsing my
flatlined visage spin on its heel,
about-facing into
the shadow of what was

would reveal to you a context
not easily decoded by layman outsiders
who cannot hear the song
that splits me to the bone

as I am undone by the truth
that offers no solace in the fact that
sometimes love isn’t enough.

We could really lean into the cliché
and have it be a twilight summer rain
sound-tracking our final parting,

as if nature herself weeps on behalf of
eyes too composed to cry for our own loss
as our last sliver of daylight
gets doused in westward skies,

the wind billowing, blowing
long flowing garments,
disturbing locks of hair
in wild contrast to personal stillness
and economy of movement,

slowly creating distance between us
until we could scarcely hear parting words
even if we wanted to
breathe them into existence.

Ya know? Just like anime characters.
***

Day 30 – Spring Chant/Prayer to Persephone

Psyché

By Antonio Canova (Italian, 1757–1822) – Eric Pouhier (May 2007), Public Domain, https://commons.wikimedia.org/w/index.php?curid=2129759

Spring Chant/Prayer to Persephone

Centerline keeper
Breath my air
Inhale, share
Mutual dreamer

Centerline keeper
Move in close
Feel repose
Outer gate-sweeper, brace you

Centerline keeper
Closer still
Overfill
Tender will-seeker

And you want this?
I know I do

Centerline keeper
Nose to ear
Hush your fear
Uncommitted leaner

Centerline keeper
Concentric girds
Say the words
Sensitive feeler, face you

And do you want this?
I know I do

Limerence
Is it
Limerence?

Is it
Only
Limerence?

Is it
Only
Opening us to
Loss of contact?

Ignorance

Was it
Lonely
Opening to
Mutual attract?

Limerence
Do you want this?
Can we will this?

I can feel the sun
In the curve of your smile
And I want the day to grow longer

And I can see the fun
In the swerve of your style
And all I want to say,
You know, is to conjure

Cupid, Aphrodite, Eros,
Frigga, Hathor, Juno,
Flora, Sabine, Persephone,
And the whole damn team

And the whole damn team
Just to make you say
You share the same space
And feel the same way

Are you inspired by the way
I admire your existence?

Do you require further sway
Towards desire or assistance?

Are we both liars who display
A misfire of consistence?

Renewed, I aspire to today
Rising higher, void of distance

Limerence
Is it
Limerence?

Is it
Only
Limerence?

Is it
Only
Opening us to
Loss of contact?

Is it ignorance?

Was it
Lonely
Opening to
Mutual attract?

Limerence
Do you want this?
Can we will this?

The path beyond the garden
Beyond what I thought I knew
Beyond a life filled with
Dewdrops alive with you
When I relied on a new
Love supplied by you

Beg your pardon
Beg your smile to rise higher still
A spring rain brings a tap
On my windowsill
It brings pain and sappy need
To say the words with a greater will

The season of renewal
Where the flowers grow
And the lovebirds sing
Where my heart didn’t know
What our world would bring
And the sun didn’t show
The clouds gathering

Fate may be cruel
But I’ll face it with a truth
That belies the fear
Can’t replace what a
Youthful heart supplies to steer
Our airspace closed with
A soothing baptized revere

It would be foolish to build a life
On a starry night shared in the throes
Of what we know is obsession

Is it?

And it would be a sin against nature
To win you on surface-level physics,
Playing Loki to discretion

Only
Is it?

When did this spin out of our control
And grow, filling its own chasm?

When did we spin and invent
Our enlightening phantasm?

Lonely
Was it

Formed when we were born
At the event horizon of an orgasm?

When did we spin out of control
And grow into this unwieldly thing?

When did we begin? Was it
The beginning of spring?
***

Written for NaPoWriMo Day 30 prompt:

…write a poem that engages with a strange and fascinating fact. It could be an odd piece of history, an unusual bit of art trivia, or something just plain weird. While I cannot vouch for the actual accuracy of any of the facts presented at the links above (or any other facts you might use as inspiration!), I can tell you that there are definitely some poetic ideas here, just waiting for someone to use them.

The strange and fascinating fact I used is that the fighting style Wing Chun literally translates to Spring Chant or Eternal Spring.

Sorry for the late ending. I’ve been really busting my hump at work and haven’t had much time to write. But I’ve been tinkering with this one off and on for a while.

Day 29 – Salix

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Photo by Stephen Leonardi on Unsplash

Salix

I know the bottom too well. The path beyond my garden, birthed:
I fear it greatly.
It is my birthright: my inheritance.

It is the formless darkness,
Its frustrating absence,
For its expanse outpaces sunlight’s nourishment.

I’ve loved in the dark.
By both touch and muscle-memory
Coarse: I burrow deeper, suckling at your earth.

Or suckling at another’s red clay, urgently,
For when a heart is formed, I follow it to fruition,
Blending, blending.

What nectar you know of that sounds so sweet?
Feel stamen’s stamina, and be healed.
Rooting in fruitless void: finding succulent flesh.

Sunrise finds us intertwined by audacity.
Clinging to sap and stem;
Elongated, deciduous, draping, reaching for more.

Flailing about, numerous cat-o-nines, self-flogged,
Beaten by breezy beauty
We stir the scent of the now: whispering wishes.

Morning light chases darkness: she lurks behind me,
Elusive in plain sight.
Her emptiness mocks me. Or compels me to seek fullness.

I am drunk. I am drunk.
And yet parched, I thirst still, knowing not what I seek.
Your dreams are not mine, yet I still drink of them.

You course through me, I whisper for more.
The breeze carries my voice
Finding nature’s comfort, some mingle with my plea.

Many are just as fearful as me
Or they inhabit their lie;
Ignoring their murmurs of soul’s torment via ripened flesh.

Seasons birth, die, rebirth.
I am rooted, and yet propelled irrevocably towards rot
Is my senescence driving my urgency?

It is the newly-formed heart I chase.
Not the intercrossed sowing
So wondrous in its embrace of fleeting fullness.

From my bones, sketch in charcoal
He cheated the abyss. His flaws, a numerous, loving greed.
He loved. He loved. He loved.
***

Written for NaPoWriMo Day 29 prompt:

Today, we’d like to challenge you to write a poem based on the Plath Poetry Project’s calendar. Simply pick a poem from the calendar, and then write a poem that responds or engages with your chosen Plath poem in some way.

This one was rather intimidating. While I respect and emulate the greats like Poe, Wild, Hemmingway, Langston Hughes and even Chicago greats like Carl Sandburg and Gwendolyn Brooks, I have always feared Sylvia Plath. She was a unique genius, and emulating her work is a lot like trying to describe the void. I’d much rather look away.

Anyway, the poem I chose was Elm (the April 19 entry), and as I feared, It kind of sucked me in, chewed me up, and spit me out. I didn’t even have time to write my day 30 poem.

Oh well, there’s always tomorrow…

Day 26 – The Best Part of Spring

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Photo by Eutah Mizushima on Unsplash

The Best Part of Spring

Aquatic percussion,
natural rhythm
on my roof.

Silvery sheen refracting,
dimming daylight,
bowing grass, flower,
each saturated bough.

Atmospheric condensation
hits green earth, hue deepening
unlocking renewal fragrance;
it smells of joy and tastes of life.

And if you’ve never
felt raindrops on your face, well,
don’t just sit here
waiting for the description;

get up, right now, and
go stand out in the spring rain.
***

Written for NaPoWriMo Day 26 prompt:

write a poem that includes images that engage all five senses. Try to be as concrete and exact as possible with the “feel” of what the poem invites the reader to see, smell, touch, taste and hear.

Day 25 – Important Read-Me File: Caring for Your Barry

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Photo by Samuel Scrimshaw on Unsplash

Important Read-Me File: Caring for Your Barry

You’ve decided
to care for a Barry!

You’ve made a unique
and challenging choice,
for not all Barrys are alike,
and this Barry in particular
has some particularly odd bugs,

or as Barry likes to call them,
“features”.

Here are some helpful guidelines
to keep your Barry operational
while minimizing withering glares,
mopey brooding,

and angry muttering
of rude things
under his breath.

Caution: depressed
and highly flammable.

Do not enjoy around
children or pets.

Or other people.

Do not mix with bourbon,
unless you’re eager to learn
the unvarnished truth about him,
yourself, and
that girl he’s secretly crushing on.

Can be rendered inert,
philosophical,
deeply meta,
and rather giggly
if combined with marijuana.

He may also refer to marijuana
as “jazz cigarettes” because
he just heard that squares
called them that in the 60’s
and he can’t stop giggling about it.

It is highly likely that your Barry
is under the influence of
jazz cigarettes at the moment of
creating this third-person,
self-referential missive.

If your Barry wants to tell you
about the path beyond his garden,
do not interrupt him
or tell him you heard this story before.

This can lead to resentful muttering.

But the most important warning:
just be kind – not just to Barry,
but to everyone you encounter
–  because none of this matters
if I’m right and we only live once,

but if I’m right and we only live once,
nothing could be more important than
leading and leaving with kindness.

Thank you for caring for your Barry
no back-sies!
***

Written for NaPoWriMo Day 25 prompt: “write a poem that takes the form of a warning label . . . for yourself!”

(Full-disclosure: My new job and surviving on three hours of sleep per night had me shuttering the doors early on NaPoWriMo, but one of my most respected poetry friends kicked me in the butt. She said I have poems to write, and so I guess I have a few back-payments to make.)

Day 24 – Elegy of Beloved Disputes

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View from my livingroom  window. (Ignore the trash bins and the ugly Hooptie. It’s my son’s fault they’re in the picture.) 

Elegy of Beloved Disputes

The path beyond my garden
leads to my favorite tree,
bursting with flowers that
remind me of you and

it occurs to me that
you would’ve marveled at
my sweet-scented tree if you
were still alive to smell it.

The sudden reminder of
your absence steals a breath
or two from me, and then
I laugh at the absurdity.

Asthma took your laugh
from me permanently.
It is an affliction
of the lungs, you see?

Had you lived long enough to
fill your lungs with my
beloved tree,

you’d have sided with Wifey,
demanding its removal.

I don’t like confrontation,
but I’d like to think I would
have enjoyed that argument.
***

Every morning on report card day, from kindergarten to third grade, momma would sing this song to me while I was eating my cereal. It was hilarious. It was terrifying. I fucking loved it. 

Written for NaPoWriMo Day 24 prompt:

Today, we’d like to challenge you to write an elegy – a poem typically written in honor or memory of someone dead. But we’d like to challenge you to write an elegy that has a hopefulness to it. Need inspiration? You might look at W.H. Auden’s elegy for Yeats, which ends on a note suggesting that the great poet’s work will live on, inspiring others in years to come. Or perhaps this elegy by Mary Jo Bang, where the sadness is shot through with a sense of forgiveness on both sides.

I’ve written elegies for both parents, and both of my grandmothers passed away last year, so I wasn’t exactly eager for this prompt. Still, I couldn’t resist the challenge of adding some hopefulness to a poem about loss. Best to keep it short though.

Day 22 – Myth of Stillness

Myth of Stillness

The path beyond my garden
belies the lies unlearned in time

as if the stars cannot
rearrange themselves in the sky
for us; as if

they, you and I,
all known things
aren’t in constant states of motion,
learning and unlearning.

Stars coalesce, are born,
then die and scatter,
its matter mingling with matter
from other dead stars,
coalescing into newer,
denser stars,

the cycle renewed in timelines
beyond our real-time observation.

Our sun is at least
a second-generation star
in this manner,
and the world of me and you
thrives on its energy.

This is how you and I came to be,

and yes, we are
but sentient star remnants
in constant motion.

That’s how you and I
came to coalesce.

It takes four years
for the light of the next
nearest star to reach
the solar system of
me and you.

The twinkle we shared when we first met
began its journey way back when
you and I were still clinging to
dying systems separately, orbiting
resentment and dysfunctionality
until implosion.

And yet for that random twinkle to mingle
with the twinkle in our locked eyes that night

as we danced to Earth, Wind & Fire,
the elements conspiring us to groove together,
shifting constellations of past lives,

don’t you dare tell me that me and you
didn’t move the stars themselves to
make this fusion happen.
***

Written for NaPoWriMo Day 22 prompt:

I’ve found this one rather useful in trying to ‘surprise’ myself into writing something I wouldn’t have come up with otherwise. Today, I’d like you to take one of the following statements of something impossible, and then write a poem in which the impossible thing happens:

The sun can’t rise in the west.

A circle can’t have corners.

Pigs can’t fly.

The clock can’t strike thirteen.

The stars cannot rearrange themselves in the sky.

A mouse can’t eat an elephant.

Happy writing!

I feel like I cheated a bit, as the stars are in constant motion, but this motion is mostly beyond our limited powers of perception, but hey, it counts.

Day 20 – Two-Part Harmony

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Photo by yousef alfuhigi on Unsplash

Two-Part Harmony

The path beyond my garden leads
to worlds beneath blanket of sky
a verse of footfall’s lullaby
I walk the mist where breeze recedes

Her breath lifts wings of butterfly
the path beyond my garden leads
to shores where she heeds by her deeds
I add my verse as battle cry

Our voices foil and amplify
a duet on the winds and reeds
the path beyond my garden leads
to where our songs reunify

Melody sparks the Pleiades
starlight won’t sing a sad goodbye
she croons with me as we pass by
the path beyond my garden leads
***

Written for NaPoWriMo Day 20 prompt:

Our prompt for the day (optional as always) takes its cue from Notley’s rebelliousness, and asks you to write a poem that involves rebellion in some way. The speaker or subject of the poem could defy a rule or stricture that’s been placed on them, or the poem could begin by obeying a rule and then proceed to break it (for example, a poem that starts out in iambic pentameter, and then breaks into sprawling, unmetered lines). Or if you tend to write funny poems, you could rebel against yourself, and write something serious (or vice versa). Whatever approach you take, your poem hopefully will open a path beyond the standard, hum-drum ruts that every poet sometimes falls into.

Ironically, I’ve done so much free-verse in the past month that the most rebellious thing I could do right now is to actually stick with a form verbatim, and perhaps incorporate a rhyme scheme too. I used the quatern form and added an “abba-baab” rhyme scheme to enhance my little “rebellion”.

I first saw the quatern on Shannon’s blog post, located here. I told you I’d give it a shot, Shannon!

The Tough Terrain

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Image source: urban.org

The Tough Terrain

The path beyond my garden was once concrete, cinderblock, brick, asphalt, and dirt fields that were once meant to be green. On those dirt fields, we played a game called “Kill the Man”, where one kid would try to run with the football from one goal – marked by the faded “keep off the grass” signs – to the other without being tackled by the two-dozen other kids clamoring to clobber him. If the kid got tackled, he’d throw the ball up in the air, and we’d scratch, claw, and elbow each other for the right to possess the ball and be the next runner to be clobbered.

If you scored a goal, your reward was the privilege of trying to make it back through the masses to the other goal. We didn’t keep score. There was no winner. There was only your reputation to defend; your place etched in cinderblock by word of mouth.

I started out as The Professor. That’s what they called me because of my coke-bottle glasses, my nose usually being in a book, and my uncanny math-solving skills that had teachers asking me to participate in the academic Olympics – a request I declined, as I know when adults were gaming kids with more homework, and I wasn’t working overtime for free.

I entered the field as The Professor, but after a few weeks of earning my stripes on that dirt field, they started calling me something else. They marveled at my elusiveness as “The Man”, oooed and ahhed at my prowess in delivering bone-crushing tackles for someone so comically undersized, and they cheered me on as I never quit on a play, even when all others would. They began to call me Superman, which was rather hyperbolic, but I was only Superman on the field, so no big.

Off the field, I was still The Professor, but it was no longer a derisive term. I had friends, I had a best friend, and I even had a crush who I was emboldened enough to write love notes. I knew little of emoting in writing, but I knew enough to plagiarize and reconstruct whole sections of Judy Blume novels to get my point across; chopping and screwing words the way hip-hop DJ’s worked their magic with jazz, funk, and soul.

Her name was Charise Parker. I’m probably safe revealing her name, as this was some thirty-five years and 1,732.91 miles ago, and her fate and familiarity are now foreign to me. But I loved her as much as a ten-year-old could love a girl with his whole heart. She liked me as a friend, but she still blushed at reading my Judy Blume samples, and she let me play jump-rope with her homegirls, which befuddled the boys who played “Kill the Man”.

Her older brother would play catch with me, always throwing the ball much harder than I could catch, always with a wry, crooked smirk on his face. I imagine that if his smile ever showed teeth, he’d disappear like the Cheshire Cat. It was like he knew I was just pretending to be hard, but he didn’t care. As long as his sister liked me, he treated me like a pesky kid brother. And with her, I was almost comfortable enough to show her the parts of me I hid from brick viewpoints.

Almost.

(Aside: My hard-fought place in the universe would eventually be upended by something terrible and completely unrelated to those kids who had given me a seat in the dirt, but that’s another story I won’t get into here.)

I would school hard and play hard, and then come home to momma and Phil and our afternoon/evening routine. In addition to watching cartoons, doing my homework, and helping Phil with his, I was keeping tabs on Baby Fae, the infant with a heart defect, who had her heart replaced with that of a baboon’s. It was supposed to be a miracle of modern medicine.

Medical stuff made me queasy, both then and now, but I voraciously ingested this story. I don’t know why it resonated so deeply with me, but someone so vulnerable and innocent just had to have a happy ending. We were poor and lucky enough to have the lights turned back on recently while Reagan hosted state dinners with the choicest cuts of meat, and J.R. Ewing got away with being a wealthy tyrant every Friday, but I just knew that fate wouldn’t be cruel enough to take away Baby Fae so young.

Obviously, I had a lot to learn about the cosmos not giving a damn about our pain and suffering.

When the news reported her death, I remember curling up in momma’s lap, just a ten-year-old crybaby. I don’t know how long I cried, nor how long momma tried to convince me that the infant was in heaven now, but I what I appreciate most was that eventually, she held me in absolute silence, allowing me my time to grieve for the child I never knew, allowing my vulnerability.

Tomorrow, I would again don the mask that earned my dusty seat at the neighborhood table, but that night, momma held me as I sobbed, and she just let me be me.

snowfall seasoned dirt
the earth beneath me hardened
it will melt in spring