I’ve never eaten a blueberry. I confess I didn’t follow my grandma’s golden rule; don’t knock it till you’ve tried it. They look vile and undignified; like grapes that didn’t quite grape correctly. But my grandbaby is housing those things like they’re nature’s candy, leaving blue and violet streaks everywhere; a little Rembrandt. Every so often, she offers me one with compelling questions of “Uhn? Uhn?” hanging beneath our sun-streaked skylit afternoon. I politely sing, “No thank you!” which always gets a giggle from her before she crams nature’s mess artlessly into her tiny face. She’s more blueberry than toddler now. Maybe I should try one next time she offers.
sea of blue and green bird chatter and child’s laughter we breathe together ***
A concession less than you planned is often framed at a glance as better than nothing,
as there is nothing less than nothing.
As in an absence of sound where a voice should be,
a musical measure that halts three beats before the melody,
an expected reply to a query of love that is absent unexpectedly.
Nothing is both beginning and end and it is often neither;
it is nowhere we want to be and everywhere, inevitably;
a closed door left ajar;
no closure, just a far-off view of horizon unchanging.
Nothing is not an answer we expect, but often by not getting it it’s the answer that we get.
Nothing is what she said before leaving after leaving I love you’s scrawled in condensation on our shared mirror before evaporating into nothing.
I know I said that I would be back to writing more frequently, but I wasn’t expecting to become addicted to the Hamilton musical on Disney+
Seriously guys, every waking hour has been spent watching Hamilton, obsessing over Hamilton, breaking down the amazingly dense lyrics to Hamilton, analyzing the musical motifs of Hamilton, watching YouTube videos of others who’ve been analyzing Hamilton, also watching reaction videos of Hamilton, learning the actual history of the real Alexander Hamilton, and well, you get the idea.
Truth be told, the Hamilton Era is the most entertaining of this global pandemic that has exposed my nation as a failed plague-state. It’s way better than the Tiger King Era, and it’s not even close. At-me at your own peril, but I promise, I have the receipts:
Anyway, yes, I’m still alive. Here’s a poem about nothing. Now I gotta get back to watching Hamilton. See you in a week or two.
Imagine a world where property value, tax-paid infrastructure, the rule of law,
justice’s infuriatingly slow machinations,
tact, decorum, gold prices and golden manners,
collective peace-of-mind, tranquility of greater-good, and the easy flow of status-quo traffic
and blissful return to whatever we consider our communal normal
were all more important
than the unconscionable completely avoidable death of your son, or brother, or father, or lover.
Really imagine it though, and feel free to sub-out and imagine your daughter, sister, or mother instead
murdered by the state;
I didn’t recommend it because I’m no monster.
Now sit with that moment, that overcooked despair and rage as your civic institutions tell you with a dismissive shrug
that his death was unavoidable, his assailants, servants of the state are good and normal in completing the task of snuffing-out his light
and your reaction to his completely avoidable death is completely unreasonable and lives as proof of the sole reason why guys who look like him
– and yes, who look like you too –
are routinely slaughtered by the state-sanctioned violence in the first place.
He’s never coming back, his voice forever silenced
and there is no one with leveraged power to champion his cause, to validate your grief,
nowhere to turn to wring meaning from your loss.
What would you do? What is your next move?
Whatever you decide, best be quick about it.
Monday’s coming, and you’d better be on time with a smile on your face and a song in your heart.
Wouldn’t want to give anyone within the superstructure the wrong idea that you’re angry or resentful
or one of those malcontents out there disrupting the established order. ***
“But it is not enough for me to stand before you tonight and condemn riots. It would be morally irresponsible for me to do that without, at the same time, condemning the contingent, intolerable conditions that exist in our society. These conditions are the things that cause individuals to feel that they have no other alternative than to engage in violent rebellions to get attention. And I must say tonight that a riot is the language of the unheard. And what is it America has failed to hear? It has failed to hear that the plight of the negro poor has worsened over the last twelve or fifteen years. It has failed to hear that the promises of freedom and justice have not been met. And it has failed to hear that large segments of white society are more concerned about tranquility and the status quo than about justice and humanity.”
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I. I dreamt I died today, and this was my last poem, which isn’t a big deal;
I have died twice before, run-through at seventeen, undone at twenty-eight,
Respawning’s not instant; often years overlap some pieces remain lost,
the burn unrelenting as pain from phantom limb connect me to this realm.
Vast, and marvelous, we are no more than my dream; reality is me.
We cling to each other, turbulent distractions, our skin, burdened touchstones;
massaged lies, we embrace pleasure clawed from our truth; we’re so very alone.
Love me without knowing, you’ll never see the seams that bind the shame that is.
I would taste better as ashes upon your tongue. Love me until the void.
II. Nothing warned me; nothing prepared me. There was no vocabulary for the remnants, for when the sun turned away, withholding all of nature.
Nothing foretold the catastrophe, nor was it immediately known, but felt in phases; a series of cascading calamities leaving the world dimmer in stages as sources of nourishment withered and fell like so many dominoes,
and soon, I found myself face-down on momma’s couch, immobile, unresponsive to external pleas to eat or demands to get my shit together.
Soon, external voices no longer registered as loud as the absence of the one who no longer cared if I ate or starved, and so I fell, falling behind the dimming event horizon, leaving only with what I entered; ending as I began, staring into the space between atoms as fields dissolved and barriers melted to nothing.
III. Perhaps in another life, in a reality we’ll never know I persevered against your will shattered your absurd barriers and married you.
I made you happy, filled your cup, and exposed your doubts and the specters of my many fears as foolhardy fairy tales.
We had a girl and fought furiously to name her; I wanted Olivia, you demanded something African that I couldn’t pronounce.
We compromised, choosing Nefertari with Olivia as her middle name and I was a good dad.
We loved each other and lifted each other up, instead of yielding to fear, spite, and desperation,
but I guess if that all came to pass, I wouldn’t really be me, you’d be someone else, and our daughter, a specter; just another fantasy of a foolish old man.
Stare into the void long enough and the phantoms name themselves.
IV. We all feel that lonely, empty, meaningless pull towards twilight of eternal nightshade where the unknowable hell-verse beckons as a perverse lullaby to our seemingly incessant suffering and so we are compelled to seek its finite serenade towards infinity.
We hope to name it in order to cast it back into its bottle;
we will ourselves to defy it by defining it for ourselves, for
to chronicle it is to vanquish its unshakable power over us.
We scrawl the void in ink and blood and then someone labeled it poetry.
V. In some eastern religions, philosophies, and fiction, heaven and hell are recast as reincarnation and
the void; an endless chasm.
It is said that if our souls carry too much vile darkness at the instant of our death, instead of our soul’s rebirth,
the last remnants of our light are cast into the abyss, never to feel warmth again, left alone in an endless
chasm of despair alone with the dreadful comfort of all terrible emotions imaginable to us.
At first blush, that doesn’t sound all that bad to me; in fact, it sounds like a fine place where the best poetry is forged,
but never allowed to see the light of a brand-new day.
But on second thought, perhaps eternal life in darkness as death’s greatest unshared poems really is a hellish fate