NaPoWriMo Day 25 – Ordinary Sunday Morning

Photo by Matthias Groeneveld from Pexels

Ordinary Sunday Morning

a spring storm sputters from the blue,
dancing on bathroom tiles, and I know
as foggy dream yields to hazy reality
you have already answered daybreak
for your Sunday morning shower.

you sigh and coo in blissful oblivion
and doves take flight up my spine.

your hairdryer yawns into action
as you hum a backing tune
while I sing the lead in my head,
lying in our bed, one knee crocked,
staring out the window to horizon as
cotton candy slowly trades
back and forth with blue.

I act as if asleep as you reenter
our bedroom, shadow falling upon me
like the world’s warmest blanket,
failing in your efforts to move silently.

“Stop faking,” you admonish gently,
and despite myself, I lose a snicker.

on occasion of an ordinary
spring Sunday, well before noon,
sneaking a peak, there you were, uncovered,
and upon widening my eyes to drink you in,
every depth, contour, and Venus dimple
of treasures previously beyond conception
came into focus from eastern daybreak.

“What?” you ask through wry grin,
as if you could not possibly know.

but you do know.


Written for NaPoWriMo Day 25 Prompt:

“Our prompt for today (optional, as always) is to write an “occasional” poem. What’s that? Well, it’s a poem suited to, or written for, a particular occasion. This past January, lots of people who usually don’t encounter poetry got a dose when Amanda Gorman read a poem at President Biden’s inauguration. And then she followed it up with a poem at the Superbowl (not traditionally an event associated with verse!) The poem you write can be for an occasion in the past or the future, one important to you and your family (a wedding, a birth) or for an occasion in the public eye (the Olympics, perhaps?).”

NaPoWriMo Day 25 Prompt

NaPoWriMo Day 23 – So You Still Wanna Know About That Dream

Photo by cottonbro from Pexels

So You Still Wanna Know About That Dream

where we never knew how to let go

with all Midnight Plains a playground
we crammed into each other’s airspace
as if we’d implode from any separation
licking our past from our lips
compressing present between thighs
hearing the future grunt from our core

soaked in milky-way sky and malbec  
unlocking French on flannel sheets
Great Divide traversed before dawn
and dew drops kissed our skin

we writhed, undeterred by chill of fog

we wore our own tropical high
melting Olympic glaciers upon release

us furious lovers; us selfish givers

when I awoke, tangled in your absence
wisdom made for poor company.


Written for NaPoWriMo Day 23 Prompt:

“Today, I’d like to challenge you to write a poem that responds, in some way, to another. This could be as simple as using a line or image from another poem as a jumping-off point, or it could be a more formal poetic response to the argument or ideas raised in another poem. You might use a favorite (or least favorite poem) as the source for your response. And if you’re having trouble finding a poem to respond to, here are a few that might help you generate ideas: “This World is Not Conclusion,” by Peter Gizzi, “In That Other Fantasy Where We Live Forever,” by Wanda Coleman, “La Chalupa, the Boat,” by Jean Valentine, or “Aubade: Some Peaches, After Storm,” by Carl Phillips.”

NaPoWriMo Day 23 Prompt

I responded to “In That Other Fantasy Where We Live Forever,” by Wanda Coleman.

NaPoWriMo Day 7 – Echo of Whishes

Image by Goran Horvat from Pixabay 

Echo of Whishes

Your
name
flitters
from past-life
embracing the now
with warming butterfly kisses
which cause an echo of whishes
flowing to greet your
musing smile
a fond
name
mine


Written for NaPoWriMo Day 7 Prompt:

“There are many different poetic forms. Some have specific line counts, syllable counts, stresses, rhymes, or a mix-and-match of the above. Of the poetic forms that are based on syllable counts, probably the most well-known – to English speakers, at least – is the Japanese form called the haiku. But there are many other syllable-based forms. Today, I’d like to challenge you to pick from two of them – the shadorma, and the Fib.”

NaPoWriMo Day 7 Prompt

I’ve dabbled with the shadorma a few times, but I cannot recall ever trying a Fib, so naturally, I went with the unknown to see if I could make a new friend of it. The Fib is a fun, light form that seems made for nostalgia.

Blueberries for Reina

Photo by andrew welch on Unsplash

Blueberries for Reina

I’ve never eaten a blueberry. I confess I didn’t follow my grandma’s golden rule; don’t knock it till you’ve tried it. They look vile and undignified; like grapes that didn’t quite grape correctly. But my grandbaby is housing those things like they’re nature’s candy, leaving blue and violet streaks everywhere; a little Rembrandt. Every so often, she offers me one with compelling questions of “Uhn? Uhn?” hanging beneath our sun-streaked skylit afternoon. I politely sing, “No thank you!” which always gets a giggle from her before she crams nature’s mess artlessly into her tiny face. She’s more blueberry than toddler now. Maybe I should try one next time she offers.

sea of blue and green
bird chatter and child’s laughter
we breathe together

***

Reina, destroyer of blueberries, all cleaned up now, focused hard on play. (Image by author, used with permission.)

Day 28: Figment

Photo by Randy Jacob on Unsplash

Figment

The shining city
on the horizon is not
actually there.

It is much lower,
and cannot be seen from here
with the naked eye.

What’s visible is
a mirage; a refraction;
trickery of light.

Theoretically, it exists,
though where you think it is,
there is nothing tangible.

In the beginning,
I had nothing,
but it was all mine.

No room to call my own,
but I owned every room
in momma’s universe.

The space we called home
coalesced from a hazy shade of blue,
brightening at the boundaries,
basement half-windows facing south,
allowing indirect light.

In the mornings and afternoons,
the TV was mine to visit Sesame Street,
Mr. Rogers, Mickey’s Club,
until evening, when dad returned
from some place called work.

We played until it was time to be silent;
I asked questions until the answers dried-up;
I cowered from the silent shadows
until the birds sang-in the blue again.

Sometimes momma kissed dad goodbye;
sometimes the silence between them
needed the icy space of January air
to thaw again; but either way,

the space was mine again
to build, to ponder,
to question.

In the beginning I had nothing,
but it gleamed along the margins,
and it was everything to me.
***

NaPoWriMo Day 28: Today’s Prompt:

Today’s (optional) prompt is brought to us by the Emily Dickinson Museum. First, read this brief reminiscence of Emily Dickinson, written by her niece. And now, here is the prompt that the museum suggests:

Martha Dickinson Bianchi’s description of her aunt’s cozy room, scented with hyacinths and a crackling stove, warmly recalls the setting decades later. Describe a bedroom from your past in a series of descriptive paragraphs or a poem. It could be your childhood room, your grandmother’s room, a college dormitory or another significant space from your life.

I went back to my earliest memory, when I was 3-4yrs old, and possessed neither a room of my own, nor the very concept of a room of my own. I did have tons of questions though, just as I do now.

Edited: Shared with dVerse OLN.

Day 19: Manicured Path

Photo by Avi Waxman on Unsplash

Manicured Path

We made it halfway up before yielding
to father time and self-imposed inertia.

Bending onto a level manicured path,
a young tree bloomed in watercolor reds;
a beautiful alien among
puffy white sapling blossoms.

Along a strip of conformity where
anything out-of-place is hammered, snipped,
or sprayed into one of the approved labels,
the tree of rubies grabs the eye for all
the reasons, right, wrong, or otherwise.

Towering firs in the distance command focus,
even as humanity carved condos,
two-car garages, and rickety steps
into where their cousins were felled years ago.

They stretch and slowly sway stoically
against the light breeze, reminding all
to stand as tall as their posture allows
and inhale deeply, accepting their
regifted oxygen, exhaling in
mutual respiration.

The opposite side of the valley,
across the Sammamish river,
teams with every shade of green,
blending seamlessly into each other,
accepting the uncolored order
before bowing to man’s rectangular
boxy factories and warehouses, each
aligned to and more unremarkable
than the last beige, bland nothing.

Between the bland boxes and us
lies another greenbelt with an overgrown
abandoned rail line cutting through it;
a boundary noted and ignored by most.

Near the bottom of the rickety stair landing,
two teens social-distance together
with their tiny dog, who silently,
but rightfully eyes me suspiciously.

I doubt he’s ever seen the likes
of me in his territory before.

But he shrugs it off, finding a
far more intriguing scent, oblivious
to the nearby blackberries at war
with a similarly invasive species.

The shrub battle is waged on its own time
and would’ve gone unnoticed by my eyes
had my beloved not been beside me to
pull me out of our moment,
drawing attention to it.

She often helps me see things
with new colors and angles,
bending our halfway-uphill trips
into an unyielding odyssey.
***

NaPoWriMo Day 19: Today’s prompt:

Today, our optional prompt challenges you to write a poem based on a “walking archive.” What’s that? Well, it’s when you go on a walk and gather up interesting things – a flower, a strange piece of bark, a rock. This then becomes your “walking archive” – the physical instantiation of your walk. If you’re unable to get out of the house (as many of us now are), you can create a “walking archive” by wandering around your own home and gathering knick-knacks, family photos, maybe a strange spice or kitchen gadget you never use. One you’ve finished your gathering, lay all your materials out on  a tray table, like museum specimens. Now, let your group of materials inspire your poem! You can write about just one of the things you’ve gathered, or how all of them are all linked, or even what they say about you, who chose them and brought them together.

Of course, upon hearing that in order to stay on prompt, I’d have to leave the house, my wife was thrilled. Me, not so much, but hey, I did it.

Day 14: The Fissure

Image by mac231 from Pixabay 

The Fissure

In the beginning, there was a woman.
There’s always a woman, or so it seems.
One gave me life, light, and all her knowledge.
Some other unlocked the madness within.

In the beginning, I had cracked the code.
Deconstruction, reassembly of phrase.
Dominion over syntax, noun, and verb.
Standard structure had yielded to my will.

Then some woman asked what it meant to me.
Encouraging thought towards deeper meaning.
I couldn’t find the right answer for her.
Smiling, she said there wasn’t such a thing.

Next, she introduced me to Robert Frost.
Suddenly, English and I were strangers.
The path not taken cracked a small fissure.
Slowly, over time that sliver split me.

I filled it with poet after poet.
Each time the fracture eagerly widened.
Langston Hughes led to a Gwendolyn Brooks.
The woman grinned as I re-learned to speak.

I gobbled up the greats, never filling.
Plath. Poe. Epics. Death poems. Always Hip-Hop.
The more I consumed, the greater my thirst.
“Now find your voice,” she said, always smiling.

I can see beyond sight; touch with feeling;
Taste, smell, and hear in all four dimensions.
In the beginning, there was a woman.
There’s always a woman, or so it seems.

My wholeness was splintered by a woman.
I was birthed by one and broken by one.
Poetry; born to me poetically;
Filling my mind with how little I knew.

It flashes from unfiltered nothingness.
It throbs when clawed at from outside the lines.
An entrenched urge to impress a woman.
A cliché-riddled love note to woo one.

Heartbroken angsty teardrop journaling.
Overzealous declarations of love.
Bleak brooding over unrequited love.
Self-flagellation over star-crossed love.

All of it ignited over women.
The ones who brought chaos to my order.
And then one day when I least expected,
It transcended, ending the beginning.
***

NaPoWriMo Day 14: Today’s prompt:

Today’s optional prompt asks you, like Alice Notley, to think about your own inspirations and forebears (whether literary or otherwise). Specifically, I challenge you today to write a poem that deals with the poems, poets, and other people who inspired you to write poems. These could be poems/poets/poepl that you strive to be like, or even poems, poets, and people that you strive not to be like. There are as many ways to go with this prompt as there are ways to be inspired.

When I was in Junior High, my normal English teacher had to take a leave of absence near the end of the school year. The substitute English teacher was much younger, and – stop me if you’ve heard this from me before – yeah, I had a HUGE crush on her.

But initially, her curriculum baffled me. I was all set to flex my mastery of breaking down and diagraming sentences for her, but she never asked for any of that. Instead, she had us read “The Road Not Taken”, by Robert Frost, asking us to interpret it and find our own meaning within it.

I scoffed at first, but eventually, very subtly, something shifted within me. Prior to that, I had already weaponized the written word via love notes to girls I liked, but her classes encouraged me to try poetry in earnest, for better or worse.

I’m still pretty much a one-trick pony, but I’m at peace with it.  

Day 12: Blue Snow (For Brooklyn)

(U.S. Navy photo by Mass Communication Specialist 2nd Class Jeffry A. Willadsen/Released)

Blue Snow (For Brooklyn)

Like petals falling from our view
Your loss now added to our snow
Compassion bright as any blue
Like petals falling from our view
Our spring, a timeless deja-vu
We wait our turns to fall below
Like petals falling from our view
Your loss now added to our snow
***

NaPoWriMo Day 12: The Triolet:

For today’s prompt (optional, as always), I’d like to challenge you to write a triolet. These eight-line poems involve repeating lines and a tight rhyme scheme. The repetitions and rhymes can lend themselves to humorous poems, as well as to poems expressing dramatic or sorrowful moods. And sometimes the repetitions can be used in deceptive ways, by splitting the words in a given line into different sentences, and making subtle changes, as in this powerful triolet by Sandra McPherson.

Years ago, I was addicted to writing triolets, so this was a welcome blast from the past.

It was also a good way to honor the passing of a shipmate I served with on the USS Ingraham from 95 until 98. Ronnell “Brooklyn” Warren passed away on March 30. Dude had a photographic memory and knew my full name, date-of-birth, birthplace, and social security number even twenty years later, which should’ve been somewhat alarming, but he was just so damned kind-hearted, and it reflected well upon his character that it never even occurred to him to use his superpowers for nefarious means.

Quite frankly, Ronnie was the kindest, sweetest man I have even known. He was also a poet with an optimistic voice.

He always had a kind word for everyone. He was one of the few people in my life whose positive attitude made me want to step-up and just be better to get on his level. Hell, I think he loved the 90’s Chicago Bulls more than I did! I heard that he went quickly and unexpectedly, from a heart attack, but I don’t know the details.

It made me think about how we will all soon be parting from one another.

I’ve never dealt with this type of loss well; I tend to stuff it down where the feelings can’t hurt me anymore. And though we hadn’t spoken or kept in touch since our ship’s decommissioning ceremony, this is a most unkind cut that will take some time to stuff down.

Ron, your passing over was most unwelcome news. I’ll drink one for you. We have the watch, shipmate.

Day 11: Fate of the Lilies

Image by S. Hermann & F. Richter from Pixabay 

Fate of the Lilies

it was an Easter Sunday
she wanted the white lilies
or maybe they were tiger
or stargazers; who can say

I’m no botanist for sure
but I gifted them to her
roots in-tact for repotting

she squealed with impish delight
showering me in kisses
I fought her back, kiss for kiss

she said she loved me, then gasped
asking if that was ok

I assured her that it was
and that I loved her as well

when can I see you again
she asked between prolonged hugs
her sparkle drawing me in

as soon as we are able
I said, strengthening my grip

she blinked back tears with a wink
cramming with delicacy
her potted plant and body
into her car to depart

I’ll text you when I make it
she said with one more blown kiss
she was true to her word, but

I never saw her again

looking back, it hurts to breathe
but still, it was for the best
as we were from different worlds

I don’t know what lilies mean
but the ones I got for her
are probably long dead now.
***

NaPoWriMo Day 11: Today’s challenge – Language of Flowers:

Our optional prompt for the day is based on the concept of the language of flowers. Have you ever heard, for example, that yellow roses stand for friendship, white roses for innocence, and red roses for love? Well, there are as many potential meanings for flowers as there are flowers. The Victorians were particularly ga-ga for giving each other bouquets that were essentially decoder-rings of meaning. For today, I challenge you to write a poem in which one or more flowers take on specific meanings. And if you’re having trouble getting started, why not take a gander at this glossary of flower meanings? (You can find a plain-text version here). Feel free to make use of these existing meanings, or make up your own.

I found out retroactively that the white lily is associated with purity and is often used as a funeral flower. Also, in Buddhism, tiger lilies represent the virtues of mercy and compassion. Make of that what you will.

Stargazers symbolize lots of stuff. Google it for yourself. This blog poem about flowers is over!

Love, for Love’s Sake

charlie-hang-3016-unsplash

Photo by Charlie Hang on Unsplash

Love, for Love’s Sake

I have loved romantically
while being oblivious to its depths,
confined to the surface,
grasping at facades of
who I wanted to be
and who I wanted to
completely consume me,
growing mystified by
its brittleness
and inevitable indigestion.

I have loved, by sticking my head
inside an alligator’s mouth on a dare.

I have loved the greener grass
and the path untraveled
until detours revealed illusory scope
and textures tricking optics
into grasping curves
bent into ripened shapes
by light’s deception; I have loved
but a figment of her living ghost.

I have loved an imagination
and watched it slain by her reality.

I have loved deep
into the core elements of another
swiftly and inexplicably,
with the instant shock
of total immersion into
freezing waters,
slowing until bonds arrest us
in an exquisite insanity,
tricking the brain
into seeing love and attachment
as one and the same,
which renders all into ashes.

I have loved at first sight
and it seared my retinas.

I have loved
despite my best efforts not to love,
which, in essence, means that I have failed
at both loving and not loving
nearly simultaneously.

I believe therefore
we call it “falling in love”,
for no sane person
would willingly choose
this brand of nonsense,
steering directly into it
as one who wishes to be warm
plots a course directly into the sun.

I have loved over time against my will
and it was wonderfully traumatic.

I’ve flipped
the game
on its head
countless times;

each time,
my game piece
lands inside
the gator’s mouth.

I now love, knowing
its tremendous highs and incalculable lows,
the capricious nature of reciprocation
and whimsically fickle access to action
to fully experience and share,
fully aware that I wield little power
over the gambit,
only my position on the board
of an ultimately unsolvable game.

I now love with a full heart, knowing
that though I often experience bliss
and wield love to lift her
to fleeting triumphs with me,
ultimately I can never win,
and even as we run out of moves,
as we retire or surrender to fate
and, inevitably, as we
begin to lose each other,
the game will continue.

I now love,
not as a matter of choice or dare,
not with purpose nor design on winning;

I now love without purpose
because I see little purpose in not loving,
and also, aimless, purposeless love
is just love for love’s sake.

I now love that I love.
***

Shared at Poets United Poetry Pantry #442.