Spicy Teriyaki Nights

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Photo by Marc Szeglat on Unsplash

Spicy Teriyaki Nights

We feasted
solely upon each other
and spicy chicken teriyaki
from the restaurant
a half-block from our
carnal harbor.

Failing to define us,
we acquiesced,
indulging until sated.

Unfortunately,
you filled yourself with me,
leaving me half-starved.

I still miss you,
but despise teriyaki.
***

Written for dVerse Quadrille Monday prompt, hosted by Lillian, where the safe word is “harbor”.

Did I type “safe word”? My bad. I meant that the word “harbor” had to be included in the 44-word poem.

(But you can use it as a safe word if you like. I won’t judge! I’m not qualified to judge anyway. *wink*)

A Fragile Song

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Photo by Seth Macey on Unsplash

A Fragile Song

Echoes of my dream-defined visions declare war,
starbursts strike scores,
both friend and foe,
but what for?

The home that I called my base came unmoored;
willow that I know,
now embers in day-glow.

I know the sparrow that lived here,
I defended her,
but now her expended song
tends my fear.

With a voice too delicate to vibrate,
she lends me the will and might to migrate:

“Not everything ends badly,
that is conjecture.
Though everything ends
at least from our perspective.

“We can’t make amends
with cosmic architecture,
but we can begin
to live within.”

Echoes of my mother’s laugh
ring long after her last breath.

Father’s lectures resonate
beyond his untimely fate.

I derive no meaning
from their unbeating hearts,
eyes bleared from tears when
lingering on their departs.

Words left unsaid will remain unspoken,
except in dreams, with the visions unwoven.

I’ve chosen to fixate on the song of that bird
whose weakness conflated
a strength that reverbed:

“Not everything ends badly;
that’s a fiction.
Though everything ends;
sadly, it’s our restriction.

“We can’t make amends
with our cell’s afflictions,
but we can begin
to live within.

She and I loved
with conviction and convection.
Our fronts clashed in wind-slashed storms,
with no direction.

We blew ourselves apart,
parting with bitter sorrow.
Despite our worser parts,
there still came a tomorrow.

We now know the science of us, but too late
to rewind and find some solace in our fate,

but wait and listen to the sparrow
as her frail song pierces our marrow:

“Not everything ends badly,
though everything ends.
We can’t make amends
with past lovers and friends,

but we can extend
our hands and transcend
beginnings and endings
as we live within.”
***

Fate of Heaven

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Photo by Meireles Neto on Unsplash

Fate of Heaven

Waking up to us
was always the worst,
wasn’t it?

Surely you felt the same
rolling over and seeing
my displeasure at a
brand new day, didn’t you?

Do you have any idea
how many poems
I’ve written about you
only to have to file them away,

snuffing-out their wicked truths
like so many birthed stars
that ate through their fair
share of hydrogen

long before Ra set
the table for you and me
to ignore our own nature?

Can you fathom how every kiss shared
will be compared to the caramel of your lips
nibbling mine in our candlelit shame
of being exactly who we are

exactly where we wanted to be,
exactly beneath the weight of
who we wanted pressed into our flesh
exactly the way we needed?

Do you also wish to shake
the morning gate of heaven
to its foundation for fating us
a taste of what could be,

only to allow our respective free will
to choose to loosen our firm midnight grip
on respective flesh before the black sky
blushed soft purple with promise of new day

separating me from you
as earth from firmament,

forming boundaries everywhere
instead of simply being
happily entangled in
undefined twilight?

On some level, I know
you were just as selfish,
just as grateful for those broad,
quiet charcoal strokes

shared in faint starlight,
silently sucking our
pigment from sundown,

but no matter our
moon-soaked efforts,
morning always comes,
doesn’t it?
***

Shared at dVerse OpenLinkNight #229. Other poets have shared their poems here.

A Duet the Wind Called Fleeting

A Duet the Wind Called Fleeting

If you don’t raise your voice
no one will hear you sing
losing the gift of choice,
we wait for what squalls bring

Did you cross my mind, love?
Or did I dream our bliss?
Your voice fades with your kiss
Ruby dreams from foxglove

Tearful visions fall, blurred
smeared what’s left of your song
seasons blended and slurred
where our voices belonged

Could you hear my song too?
Was I brassy? Off-key?
Hope you remember me
as currents convey you.
***

Aretha Franklin’s death is weighing heavy on my mind this morning. I immediately thought of both this soulful Aretha original and the slick Mos Def sample. I was happy to see that YouTube had a mashup of the two.  Listening to it got me thinking in terms of Shakespearean-level star-crossed lovers missed connections, and whatnot and so-forth. It’s funny how the brain works sometimes. 

R.I.P. Aretha Franklin

Solemn Solstice

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Photo by Anish Nair on Unsplash

Solemn Solstice

The sun lingers longest today.

The weather-guessers were wrong
about the heat wave.

In fact, there was light precipitation.

Preferring the rain, I am relieved.

I don’t even know why I wrote
“precipitation” instead of “rain”.

I’m no meteorologist.

I guess the unscheduled rainfall
wasn’t up to my lofty standards.

It was a halfhearted rainfall,
followed by an indifferent sunbreak.

Felt more like angel’s spit
than the weeping we’ve earned
for this crapsack existence.

My hemisphere turned
fully into the true glare
of sunlight, and everywhere I turn,
I glare at two shadows
of the Four Noble Truths.

I see only suffering and
man’s indifference to it.

I see children crying in pain,
fear, hunger, and terror;
if they’re lucky, they’ll just receive
the mercy of ignorance
in the form of being ignored,
or perhaps they’ll only languish
as the butt of cruel jokes
they’re mostly ignorant to.

I see indignant adults
viciously targeting them
for exploitation
or other vile indignities.

I see servers and protectors
silencing them permanently
in brass precipitation
because that’s the way
it’s always been and apparently,
that’s the way it needs to be.

The days grow shorter now.

It is the nature of our earth’s tilt
in reference to our position on it
as we continue our
inevitable journey around the sun.

Our share of daylight
will gradually be transferred
to our antipodean brothers and sisters,
in the way it’s always been.

We are powerless to stop
this natural phenomenon.

I am relieved.
***

A Contemporary Fiction

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Photo by Steve Roe on Unsplash

A Contemporary Fiction

I wanna be able to
walk away from folks
like anime characters do,
ya know? Like, not even

wasting energy
on words like
“I love you,” or
“Goodbye forever,” or, or,

or, “I never wanna see you again.”

Somewhere within that spectrum, ya know?

Because regardless of where
you fit on that scale,
you should already know it,
ya know? Where you stand…

Without me needing to spell it out to ya.

Yeah, I’d leave the scene
with an unhurried gait and
a stoic, hardboiled heroic
Hemmingway protag expression

poker-facing what lies beneath the surface
where it’s clear that I’ll cherish the bones of you
till it causes my own bones to perish,

aching at your absence
or reluctance to stare into the heart
of this shared melody with me.

But just glimpsing my
flatlined visage spin on its heel,
about-facing into
the shadow of what was

would reveal to you a context
not easily decoded by layman outsiders
who cannot hear the song
that splits me to the bone

as I am undone by the truth
that offers no solace in the fact that
sometimes love isn’t enough.

We could really lean into the cliché
and have it be a twilight summer rain
sound-tracking our final parting,

as if nature herself weeps on behalf of
eyes too composed to cry for our own loss
as our last sliver of daylight
gets doused in westward skies,

the wind billowing, blowing
long flowing garments,
disturbing locks of hair
in wild contrast to personal stillness
and economy of movement,

slowly creating distance between us
until we could scarcely hear parting words
even if we wanted to
breathe them into existence.

Ya know? Just like anime characters.
***

Where Have All the Fireflies Gone?

Where Have All the Fireflies Gone?

1
As a small child
I caught fireflies in the summer
because that was natural
for kids my age.

I’d use them as nature’s night light,
marveling at their bioluminescence,
wondering why they seemed
dimmer from my mason jar,

saddened and bewildered
by their slow death
and refusal to eat the grass
I placed in the jar for them.

To this day,
I still have no idea
if fireflies eat grass or not.

Never bothered to do the research.

2
“Hey man.
You play the hand you were dealt.”

That was my boiler-plate response
to anyone who asked about
the state of my first marriage.

It was a flippant, self-mocking
humor-of-the-remanded
simultaneously answering
nothing and everything.

Don’t know why I took
such a resigned stance
on being unhappy, lonely,
and with the wrong person.

Didn’t even try to hide
my dismissive shrug
from inside my mason jar.

I often thought that
if I reshuffled the deck,
I’d someday find the right person,
and that would fix everything.

Simply a matter of finding
the right grass to add, right?

3
Outside right now,
there is a bird singing his little heart out
at the cloud-obscured sunset.

I’m unfamiliar with the tone and cadence,
but it rings of a desolation and isolation
I haven’t heard in a long time.

Its song goes unanswered.

The ebullience of a neighbor’s deck party
partially drowns him out.

Their unnatural laughter
reminds me of a henhouse
agitated into commotion
by an invading fox.

Its cacophony
cancels-out the bird’s efforts.

He soon falls silent,
leaving only the sounds
of the fox-stirred coop,
its revelry soon extinguished by
a spontaneous late spring shower.

Nature always wins.

Now that I’m thinking about it,
I can’t recall the last time I saw a firefly.
I wonder why that is?
***

Day 30 – Spring Chant/Prayer to Persephone

Psyché

By Antonio Canova (Italian, 1757–1822) – Eric Pouhier (May 2007), Public Domain, https://commons.wikimedia.org/w/index.php?curid=2129759

Spring Chant/Prayer to Persephone

Centerline keeper
Breath my air
Inhale, share
Mutual dreamer

Centerline keeper
Move in close
Feel repose
Outer gate-sweeper, brace you

Centerline keeper
Closer still
Overfill
Tender will-seeker

And you want this?
I know I do

Centerline keeper
Nose to ear
Hush your fear
Uncommitted leaner

Centerline keeper
Concentric girds
Say the words
Sensitive feeler, face you

And do you want this?
I know I do

Limerence
Is it
Limerence?

Is it
Only
Limerence?

Is it
Only
Opening us to
Loss of contact?

Ignorance

Was it
Lonely
Opening to
Mutual attract?

Limerence
Do you want this?
Can we will this?

I can feel the sun
In the curve of your smile
And I want the day to grow longer

And I can see the fun
In the swerve of your style
And all I want to say,
You know, is to conjure

Cupid, Aphrodite, Eros,
Frigga, Hathor, Juno,
Flora, Sabine, Persephone,
And the whole damn team

And the whole damn team
Just to make you say
You share the same space
And feel the same way

Are you inspired by the way
I admire your existence?

Do you require further sway
Towards desire or assistance?

Are we both liars who display
A misfire of consistence?

Renewed, I aspire to today
Rising higher, void of distance

Limerence
Is it
Limerence?

Is it
Only
Limerence?

Is it
Only
Opening us to
Loss of contact?

Is it ignorance?

Was it
Lonely
Opening to
Mutual attract?

Limerence
Do you want this?
Can we will this?

The path beyond the garden
Beyond what I thought I knew
Beyond a life filled with
Dewdrops alive with you
When I relied on a new
Love supplied by you

Beg your pardon
Beg your smile to rise higher still
A spring rain brings a tap
On my windowsill
It brings pain and sappy need
To say the words with a greater will

The season of renewal
Where the flowers grow
And the lovebirds sing
Where my heart didn’t know
What our world would bring
And the sun didn’t show
The clouds gathering

Fate may be cruel
But I’ll face it with a truth
That belies the fear
Can’t replace what a
Youthful heart supplies to steer
Our airspace closed with
A soothing baptized revere

It would be foolish to build a life
On a starry night shared in the throes
Of what we know is obsession

Is it?

And it would be a sin against nature
To win you on surface-level physics,
Playing Loki to discretion

Only
Is it?

When did this spin out of our control
And grow, filling its own chasm?

When did we spin and invent
Our enlightening phantasm?

Lonely
Was it

Formed when we were born
At the event horizon of an orgasm?

When did we spin out of control
And grow into this unwieldly thing?

When did we begin? Was it
The beginning of spring?
***

Written for NaPoWriMo Day 30 prompt:

…write a poem that engages with a strange and fascinating fact. It could be an odd piece of history, an unusual bit of art trivia, or something just plain weird. While I cannot vouch for the actual accuracy of any of the facts presented at the links above (or any other facts you might use as inspiration!), I can tell you that there are definitely some poetic ideas here, just waiting for someone to use them.

The strange and fascinating fact I used is that the fighting style Wing Chun literally translates to Spring Chant or Eternal Spring.

Sorry for the late ending. I’ve been really busting my hump at work and haven’t had much time to write. But I’ve been tinkering with this one off and on for a while.

Day 29 – Salix

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Photo by Stephen Leonardi on Unsplash

Salix

I know the bottom too well. The path beyond my garden, birthed:
I fear it greatly.
It is my birthright: my inheritance.

It is the formless darkness,
Its frustrating absence,
For its expanse outpaces sunlight’s nourishment.

I’ve loved in the dark.
By both touch and muscle-memory
Coarse: I burrow deeper, suckling at your earth.

Or suckling at another’s red clay, urgently,
For when a heart is formed, I follow it to fruition,
Blending, blending.

What nectar you know of that sounds so sweet?
Feel stamen’s stamina, and be healed.
Rooting in fruitless void: finding succulent flesh.

Sunrise finds us intertwined by audacity.
Clinging to sap and stem;
Elongated, deciduous, draping, reaching for more.

Flailing about, numerous cat-o-nines, self-flogged,
Beaten by breezy beauty
We stir the scent of the now: whispering wishes.

Morning light chases darkness: she lurks behind me,
Elusive in plain sight.
Her emptiness mocks me. Or compels me to seek fullness.

I am drunk. I am drunk.
And yet parched, I thirst still, knowing not what I seek.
Your dreams are not mine, yet I still drink of them.

You course through me, I whisper for more.
The breeze carries my voice
Finding nature’s comfort, some mingle with my plea.

Many are just as fearful as me
Or they inhabit their lie;
Ignoring their murmurs of soul’s torment via ripened flesh.

Seasons birth, die, rebirth.
I am rooted, and yet propelled irrevocably towards rot
Is my senescence driving my urgency?

It is the newly-formed heart I chase.
Not the intercrossed sowing
So wondrous in its embrace of fleeting fullness.

From my bones, sketch in charcoal
He cheated the abyss. His flaws, a numerous, loving greed.
He loved. He loved. He loved.
***

Written for NaPoWriMo Day 29 prompt:

Today, we’d like to challenge you to write a poem based on the Plath Poetry Project’s calendar. Simply pick a poem from the calendar, and then write a poem that responds or engages with your chosen Plath poem in some way.

This one was rather intimidating. While I respect and emulate the greats like Poe, Wild, Hemmingway, Langston Hughes and even Chicago greats like Carl Sandburg and Gwendolyn Brooks, I have always feared Sylvia Plath. She was a unique genius, and emulating her work is a lot like trying to describe the void. I’d much rather look away.

Anyway, the poem I chose was Elm (the April 19 entry), and as I feared, It kind of sucked me in, chewed me up, and spit me out. I didn’t even have time to write my day 30 poem.

Oh well, there’s always tomorrow…