Day 0 – Ode to my Dearest Portal

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Photo by Jordan Wozniak on Unsplash

Ode to my Dearest Portal

The path beyond my garden leads
to where asphalt kisses the sea.

I sit near the transition
and blow kisses effortlessly
to she who swims in
antipodean ocean
and backpacks in autumn outback,

shake hands with a man standing
in Swedish snow where winter
won’t yield easily to spring,

offer support and
love vicariously at
Vancouver seaport,

embrace a hug
in London fog,

swoon on Singapore island,
exchange dreams where eastern Europe
merges with Asia,

sharing tea, death poems,
and sunrises in the Land
of the Rising Sun.

Here within my cherished portal,
the sun always rises,
shedding light on new poetry
from brave, sharing souls
around the globe.

I’ve lived countless lives and loved in
ever increasing abundance,

touching without touch
via normal and long-touch,
swiping hearts and being swiped
while swiping-right and all directions.

Signals sent from points abroad
careen toward antenna,
out above atmosphere,
from satellite to satellite,

down through the thin blue into
receiver, decoded, delivered
to me via you; a device
designated both smart and phone,
but is actually neither.

Still, I’d never begrudge your
ostentatious designation,
as you have done well by me

in opening me to new poetry,
ideas, friends, and lovers
– platonic and fantastic.

And that you do all this astoundingly
half a decade past warranty,
makes me love you even more deeply.
** *

Written for NaPoWriMo’s Day 0 prompt, write a poem in the form of a love letter, to an object. Obviously, the object I chose is my phone, which takes me everywhere I want to be.

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A Cat

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Photo by Antonio Lapa on Unsplash

A Cat

On the first day of spring
a cat came to me.
Her collared tag sparkled,
reflecting glints of sunlight
from her bejeweled collar.
Regal, majestic, passive poise
was her manner of movement
and sitting stillness
– if a cat’s movement and
stillness could be considered
in such human grandiosities.
She received me just as
Grandmaster Yip Man decreed
when teaching novices
basic grappling techniques
– “Greet what arrives,
escort what leaves,
and rush upon loss of contact.”
A Wing Chun master feline,
ruler of our centerline,
razor claws, carefully
retracted while restricting
movement and momentum,
intimate dominance, fleeting
for before I made sense
of my senses, she fled.
Why she came I cannot say
– she wasn’t hungry, and
she only knew me in
the manner that all cats of
certain domestication
know their fellow humans –
and yet she came right to me
leaning into my space,
mewing a few kind words
I could only guess at
since I don’t speak cat.
Of course I mewed right back
unclear on the syntax
but knowing that only
lonely souls lean out to find
random comfort across
diverging species.
***

Shared at dVerse Poetics: Soul gazing , hosted by Paul Scribbles. Poets have contributed to this prompt here.

 

Mortal and Liable to Fall

Mortal and Liable to Fall

You fling away your essence
leaping into a foreign faith.

I dig my toes into earth
in envy of the invisible.

You sing, summoning blossoms
my lungs expand in time with vibrations.

The unknown
tempts me –

I can only float
where reason shows the natural path.

Current spent
I am sent… points unknown.
** *

I was inspired by my friend trE’s eloquent poem, Take Off. I encourage everyone to head over and read her work.

Quills

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Photo by Joshua Ness on Unsplash

Quills

The hedgehog
craves closeness of warmth
and comfort
but it can’t
risk hurting those they care for
or wounding themselves

Dismissive
nature or nurture
combining
avoiding
emotions flatlined and taut
growing defective

Reflective
not seeking the gaze
transparent
apparent
apparitions, illusions
flowing refractions

Subtraction
by adding my quills
I will wound
inaction
pricking with lethal absence
living detachment

Reaction
defies all reason
yes I care
but won’t share
reason, nature can’t undo
an inert hedgehog.
** *

Written for dVerse MTB: Phantom Form — Shadorma, hosted by Gospel Isosceles. Poets have contributed to this prompt here.

*EDITED: to fix the erroneous syllable count. It’s kinda cool what two extra syllables per stanza can do to add a wee bit of spice.