A Contemporary Fiction

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Photo by Steve Roe on Unsplash

A Contemporary Fiction

I wanna be able to
walk away from folks
like anime characters do,
ya know? Like, not even

wasting energy
on words like
“I love you,” or
“Goodbye forever,” or, or,

or, “I never wanna see you again.”

Somewhere within that spectrum, ya know?

Because regardless of where
you fit on that scale,
you should already know it,
ya know? Where you stand…

Without me needing to spell it out to ya.

Yeah, I’d leave the scene
with an unhurried gait and
a stoic, hardboiled heroic
Hemmingway protag expression

poker-facing what lies beneath the surface
where it’s clear that I’ll cherish the bones of you
till it causes my own bones to perish,

aching at your absence
or reluctance to stare into the heart
of this shared melody with me.

But just glimpsing my
flatlined visage spin on its heel,
about-facing into
the shadow of what was

would reveal to you a context
not easily decoded by layman outsiders
who cannot hear the song
that splits me to the bone

as I am undone by the truth
that offers no solace in the fact that
sometimes love isn’t enough.

We could really lean into the cliché
and have it be a twilight summer rain
sound-tracking our final parting,

as if nature herself weeps on behalf of
eyes too composed to cry for our own loss
as our last sliver of daylight
gets doused in westward skies,

the wind billowing, blowing
long flowing garments,
disturbing locks of hair
in wild contrast to personal stillness
and economy of movement,

slowly creating distance between us
until we could scarcely hear parting words
even if we wanted to
breathe them into existence.

Ya know? Just like anime characters.
***

Day 30 – Spring Chant/Prayer to Persephone

Psyché

By Antonio Canova (Italian, 1757–1822) – Eric Pouhier (May 2007), Public Domain, https://commons.wikimedia.org/w/index.php?curid=2129759

Spring Chant/Prayer to Persephone

Centerline keeper
Breath my air
Inhale, share
Mutual dreamer

Centerline keeper
Move in close
Feel repose
Outer gate-sweeper, brace you

Centerline keeper
Closer still
Overfill
Tender will-seeker

And you want this?
I know I do

Centerline keeper
Nose to ear
Hush your fear
Uncommitted leaner

Centerline keeper
Concentric girds
Say the words
Sensitive feeler, face you

And do you want this?
I know I do

Limerence
Is it
Limerence?

Is it
Only
Limerence?

Is it
Only
Opening us to
Loss of contact?

Ignorance

Was it
Lonely
Opening to
Mutual attract?

Limerence
Do you want this?
Can we will this?

I can feel the sun
In the curve of your smile
And I want the day to grow longer

And I can see the fun
In the swerve of your style
And all I want to say,
You know, is to conjure

Cupid, Aphrodite, Eros,
Frigga, Hathor, Juno,
Flora, Sabine, Persephone,
And the whole damn team

And the whole damn team
Just to make you say
You share the same space
And feel the same way

Are you inspired by the way
I admire your existence?

Do you require further sway
Towards desire or assistance?

Are we both liars who display
A misfire of consistence?

Renewed, I aspire to today
Rising higher, void of distance

Limerence
Is it
Limerence?

Is it
Only
Limerence?

Is it
Only
Opening us to
Loss of contact?

Is it ignorance?

Was it
Lonely
Opening to
Mutual attract?

Limerence
Do you want this?
Can we will this?

The path beyond the garden
Beyond what I thought I knew
Beyond a life filled with
Dewdrops alive with you
When I relied on a new
Love supplied by you

Beg your pardon
Beg your smile to rise higher still
A spring rain brings a tap
On my windowsill
It brings pain and sappy need
To say the words with a greater will

The season of renewal
Where the flowers grow
And the lovebirds sing
Where my heart didn’t know
What our world would bring
And the sun didn’t show
The clouds gathering

Fate may be cruel
But I’ll face it with a truth
That belies the fear
Can’t replace what a
Youthful heart supplies to steer
Our airspace closed with
A soothing baptized revere

It would be foolish to build a life
On a starry night shared in the throes
Of what we know is obsession

Is it?

And it would be a sin against nature
To win you on surface-level physics,
Playing Loki to discretion

Only
Is it?

When did this spin out of our control
And grow, filling its own chasm?

When did we spin and invent
Our enlightening phantasm?

Lonely
Was it

Formed when we were born
At the event horizon of an orgasm?

When did we spin out of control
And grow into this unwieldly thing?

When did we begin? Was it
The beginning of spring?
***

Written for NaPoWriMo Day 30 prompt:

…write a poem that engages with a strange and fascinating fact. It could be an odd piece of history, an unusual bit of art trivia, or something just plain weird. While I cannot vouch for the actual accuracy of any of the facts presented at the links above (or any other facts you might use as inspiration!), I can tell you that there are definitely some poetic ideas here, just waiting for someone to use them.

The strange and fascinating fact I used is that the fighting style Wing Chun literally translates to Spring Chant or Eternal Spring.

Sorry for the late ending. I’ve been really busting my hump at work and haven’t had much time to write. But I’ve been tinkering with this one off and on for a while.

Day 29 – Salix

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Photo by Stephen Leonardi on Unsplash

Salix

I know the bottom too well. The path beyond my garden, birthed:
I fear it greatly.
It is my birthright: my inheritance.

It is the formless darkness,
Its frustrating absence,
For its expanse outpaces sunlight’s nourishment.

I’ve loved in the dark.
By both touch and muscle-memory
Coarse: I burrow deeper, suckling at your earth.

Or suckling at another’s red clay, urgently,
For when a heart is formed, I follow it to fruition,
Blending, blending.

What nectar you know of that sounds so sweet?
Feel stamen’s stamina, and be healed.
Rooting in fruitless void: finding succulent flesh.

Sunrise finds us intertwined by audacity.
Clinging to sap and stem;
Elongated, deciduous, draping, reaching for more.

Flailing about, numerous cat-o-nines, self-flogged,
Beaten by breezy beauty
We stir the scent of the now: whispering wishes.

Morning light chases darkness: she lurks behind me,
Elusive in plain sight.
Her emptiness mocks me. Or compels me to seek fullness.

I am drunk. I am drunk.
And yet parched, I thirst still, knowing not what I seek.
Your dreams are not mine, yet I still drink of them.

You course through me, I whisper for more.
The breeze carries my voice
Finding nature’s comfort, some mingle with my plea.

Many are just as fearful as me
Or they inhabit their lie;
Ignoring their murmurs of soul’s torment via ripened flesh.

Seasons birth, die, rebirth.
I am rooted, and yet propelled irrevocably towards rot
Is my senescence driving my urgency?

It is the newly-formed heart I chase.
Not the intercrossed sowing
So wondrous in its embrace of fleeting fullness.

From my bones, sketch in charcoal
He cheated the abyss. His flaws, a numerous, loving greed.
He loved. He loved. He loved.
***

Written for NaPoWriMo Day 29 prompt:

Today, we’d like to challenge you to write a poem based on the Plath Poetry Project’s calendar. Simply pick a poem from the calendar, and then write a poem that responds or engages with your chosen Plath poem in some way.

This one was rather intimidating. While I respect and emulate the greats like Poe, Wild, Hemmingway, Langston Hughes and even Chicago greats like Carl Sandburg and Gwendolyn Brooks, I have always feared Sylvia Plath. She was a unique genius, and emulating her work is a lot like trying to describe the void. I’d much rather look away.

Anyway, the poem I chose was Elm (the April 19 entry), and as I feared, It kind of sucked me in, chewed me up, and spit me out. I didn’t even have time to write my day 30 poem.

Oh well, there’s always tomorrow…

Day 28 – Postcard in Praise of My One-Time Online Secret Girlfriend

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Photo by Dan Gold on Unsplash

Postcard in Praise of My One-Time Online Secret Girlfriend

Why are you here? Why am I? Why are we? Even though we’re both evenly among our peers in our late twenties, this feels… odd. Oddly uncomfortable and weirdly familiar in keeping welcome company. You seem to be enjoying this bass-boosted noise even less than me, if that were ever a possibility. You say nothing as you gallantly support the nightclub wall with your back, your face screwed into a question mark. You’re puzzled by how different I am IRL than online. You’re with your girls and I’m with my homie, but I spot in your eyes, a symmetry. Or is it synergy? It’s a mystery, but I can see that you too wish it were just you and me. I have poor self-esteem, so I don’t take these vibes lightly when they come to be. You speak softly, drowned-out by the club cacophony, yet I feel your words settle next to me. I won’t forget how you let me hold your hand gratefully, us both grateful no one else could see.
***

Written for NaPoWriMo Day 28 prompt: “draft a prose poem in the form/style of a postcard.”

OK, so perhaps I would need two postcards.

Day 27 – Skeptic Reading

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Three of Pentacles, Image source

Skeptic Reading

My tarot reading,
if you believe in such things,
drew Three of Pentacles.

Or is it The Three of Pentacles?

The eternal skeptic,
I know not of how tarot cards
prefer to be addressed,
or if they even perceive mockery.

Three, (or The Three)
apparently
signifies skilled labor
or fashioning with your hands,
be it trade, craft, or artistry.

It seems that even fate herself,
an unforgiving, mysterious mistress
conspires to compel me
to continue to create.

If you believe in such things.
***

Written for NaPoWriMo Day 27 prompt:

…we challenge you to pick a card (any card) from this online guide to the tarot, and then to write a poem inspired either by the card or by the images or ideas that are associated with it.

 

Day 24 – Elegy of Beloved Disputes

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View from my livingroom  window. (Ignore the trash bins and the ugly Hooptie. It’s my son’s fault they’re in the picture.) 

Elegy of Beloved Disputes

The path beyond my garden
leads to my favorite tree,
bursting with flowers that
remind me of you and

it occurs to me that
you would’ve marveled at
my sweet-scented tree if you
were still alive to smell it.

The sudden reminder of
your absence steals a breath
or two from me, and then
I laugh at the absurdity.

Asthma took your laugh
from me permanently.
It is an affliction
of the lungs, you see?

Had you lived long enough to
fill your lungs with my
beloved tree,

you’d have sided with Wifey,
demanding its removal.

I don’t like confrontation,
but I’d like to think I would
have enjoyed that argument.
***

Every morning on report card day, from kindergarten to third grade, momma would sing this song to me while I was eating my cereal. It was hilarious. It was terrifying. I fucking loved it. 

Written for NaPoWriMo Day 24 prompt:

Today, we’d like to challenge you to write an elegy – a poem typically written in honor or memory of someone dead. But we’d like to challenge you to write an elegy that has a hopefulness to it. Need inspiration? You might look at W.H. Auden’s elegy for Yeats, which ends on a note suggesting that the great poet’s work will live on, inspiring others in years to come. Or perhaps this elegy by Mary Jo Bang, where the sadness is shot through with a sense of forgiveness on both sides.

I’ve written elegies for both parents, and both of my grandmothers passed away last year, so I wasn’t exactly eager for this prompt. Still, I couldn’t resist the challenge of adding some hopefulness to a poem about loss. Best to keep it short though.

Day 22 – Myth of Stillness

Myth of Stillness

The path beyond my garden
belies the lies unlearned in time

as if the stars cannot
rearrange themselves in the sky
for us; as if

they, you and I,
all known things
aren’t in constant states of motion,
learning and unlearning.

Stars coalesce, are born,
then die and scatter,
its matter mingling with matter
from other dead stars,
coalescing into newer,
denser stars,

the cycle renewed in timelines
beyond our real-time observation.

Our sun is at least
a second-generation star
in this manner,
and the world of me and you
thrives on its energy.

This is how you and I came to be,

and yes, we are
but sentient star remnants
in constant motion.

That’s how you and I
came to coalesce.

It takes four years
for the light of the next
nearest star to reach
the solar system of
me and you.

The twinkle we shared when we first met
began its journey way back when
you and I were still clinging to
dying systems separately, orbiting
resentment and dysfunctionality
until implosion.

And yet for that random twinkle to mingle
with the twinkle in our locked eyes that night

as we danced to Earth, Wind & Fire,
the elements conspiring us to groove together,
shifting constellations of past lives,

don’t you dare tell me that me and you
didn’t move the stars themselves to
make this fusion happen.
***

Written for NaPoWriMo Day 22 prompt:

I’ve found this one rather useful in trying to ‘surprise’ myself into writing something I wouldn’t have come up with otherwise. Today, I’d like you to take one of the following statements of something impossible, and then write a poem in which the impossible thing happens:

The sun can’t rise in the west.

A circle can’t have corners.

Pigs can’t fly.

The clock can’t strike thirteen.

The stars cannot rearrange themselves in the sky.

A mouse can’t eat an elephant.

Happy writing!

I feel like I cheated a bit, as the stars are in constant motion, but this motion is mostly beyond our limited powers of perception, but hey, it counts.

Day 21 – Nemesis Shrugged

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By Alfred Rethel – 1. The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.2. The Hermitage, St. Petersburg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=158201

Nemesis Shrugged

The path beyond my garden exists,
even now, effortlessly balanced,
but carefully curated in a manner
most pleasing to me, Nemesis,
goddess of what mortals believe
to be divine retribution.

I know not where they came up with
this idea of my being
righteous and wrathful,
but I saw no reason to correct this
erroneous persona.

I am only concerned with
my garden’s natural equilibrium.

And nothing more than that.

But lo came a haughty disruption
in the form of a man called Narcissus
by the wind’s echo;
a man so enraptured by his own beauty
that his self-indulgent joy caused
both mortal and immortal suffering.

Another mortal, mortally wounded
by vain, callous, unrequited love,
prayed to me to teach the man a lesson
for all the pain he caused,
and I was inclined to grant this wish,

not as retribution,
for man’s suffering
is of no concern of mine,

but to restore the effortless balance
lost by one man contemplating
his exquisiteness at expense
of other’s souls.

I came across this princely man
at the heights of his self-enrapture,
gazing upon his own reflection
in one of my garden pools.

Indeed, he was the most beautiful man
I’d ever encountered,
but I am immortal, and immune
to his superficial, secular charms.

As I positioned myself,
readied to deliver My Judgement,
the vain fool lost his footing,
fell into the pond,
and drowned.

Word spread among mortals
that I caused him to fall in love
with his own reflection,
but that is beyond my powers.

His own nature was the source
of many of nature’s problems,
and verily, it provided
its own solution.

Nature is self-sufficient in that way.

As my garden’s balance righted itself,
and humanity also learned
a timeless lesson,

I saw no reason
to correct this erroneous tale.
***

Written for NaPoWriMo Day 21 prompt:

And now for our (optional) prompt. In her interview, Brim provides us with several suggestions for generative writing exercises, and we’d like to challenge to today to tackle her third one, which is based in the myth of Narcissus. After reading the myth, try writing a poem that plays with the myth in some way. For example, you could imagine that imagine the water is speaking to you, the narcissus flower. Or you could write a poem in which the narcissus berates the Kardashians for stealing their neurosis. Or a poem that comments on the narcissism of our time, i.e. beauty and body obsession, etc.

Full-disclosure: Recently, I already wrote a Narcissus-themed poem, called Echo’s Lament. I almost skipped this prompt, when I thought of this other angle from the perspective of the goddess Nemesis. After writing this one, I’m glad I didn’t skip this prompt. 🙂

Day 18 – She Still Sees

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Photo by Peter Forster on Unsplash

She Still Sees

You are the Truth
locked tight in my pocket;
promise kept by my fortuity.

You linger patiently,
meeting my frailties with loyalty
pouring into my cracks.
You stay,
voice soothing my raspy song,
facing, leaning into my calm.

Your will
driving intent to fill my silent plea.
I feel this,
your tacit strain
as you heal my wounds.

You’re afraid to leave
without securing my trust
where I live on abyss’s edge.
You steadily shatter delusions
trumpeting your presence
crossing my boundaries.

But I am not here
can’t be found in the light;
cocooned twilight.
You join our hips
expanding as I contract,
filling void with familiar
you still see me where I live.
***

Written for NaPoWriMo Day 18 prompt:

Our prompt for the day (optional as always) isn’t exactly based in revision, but it’s not exactly not based in revision, either. It also sounds a bit more complicated than it is, so bear with me! First, find a poem in a book or magazine (ideally one you are not familiar with). Use a piece of paper to cover over everything but the last line. Now write a line of your own that completes the thought of that single line you can see, or otherwise responds to it. Now move your piece of paper up to uncover the second-to-last line of your source poem, and write the second line of your new poem to complete/respond to this second-to-last line. Keep going, uncovering and writing, until you get to the first line of your source poem, which you will complete/respond to as the last line of your new poem. It might not be a finished draft, but hopefully it at least contains the seeds of one.

I wasn’t too keen on this prompt, so I tweaked it a bit. Instead of finding an unfamiliar poem/poet, I found an extremely familiar one to me. I chose a poet I admire, a frequent collaborator, and a good friend, Tre. The poem I used as a reference is titled The One I Spared. I encourage you to head over and read her exquisite work.

Yesterday, me and Wifey traveled from Whistler back home, and today I had a talk therapy session, so I’m a day behind in my poetry. Perhaps I can squeeze out another one later.

Day 13 – Tastes like Stardust

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Photo by Mike Fox on Unsplash

Tastes like Stardust

The path beyond
our garden
leads
where daylight
won’t tread

where she follows
with eyes that beg
for relief I live
to provide

touching her where
her lean suggests

spinning circles
where her breath
catches and skips
and lingers

her heartbeat
tastes like stardust,
moonbeams and
Venus dimples

I am her
percussionist;
steadily I drum
readily as a duet
is hummed to
an audience
of two

I exist as
both composer and
her instrument to strum
or tease a bar
or two

she is my music
I am her best verse

our groove
not nearly as harsh
as I’m able
or she wants,

but firm enough
to shift firmament
and furniture
where leeway
yields
to leverage,

not leaning into
the strong force or
dark energy,

but as she sheens,
slick from my sweat,
she knows I’m there
***

Written for NaPoWriMo Day 13 prompt:

…write a poem in which the words or meaning of a familiar phrase get up-ended. For example, if you chose the phrase “A stitch in time saves nine,” you might reverse that into something like: “a broken thread; I’m late, so many lost.” Or “It’s raining cats and dogs” might prompt the phrase “Snakes and lizards evaporate into the sky.” Those are both rather haunting, strange images, and exploring them could provide you with an equally haunting, strange poem (or a funny one!)

In all honesty, this prompt left me a bit lost. When I tried in earnest, I was left writing nonsensical garbage. I didn’t give up though; I shifted focus and tried writing about a known event between consenting adults in a new way. It’s not quite up-ended, but I’m ok with the result.