Day 18 – She Still Sees

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Photo by Peter Forster on Unsplash

She Still Sees

You are the Truth
locked tight in my pocket;
promise kept by my fortuity.

You linger patiently,
meeting my frailties with loyalty
pouring into my cracks.
You stay,
voice soothing my raspy song,
facing, leaning into my calm.

Your will
driving intent to fill my silent plea.
I feel this,
your tacit strain
as you heal my wounds.

You’re afraid to leave
without securing my trust
where I live on abyss’s edge.
You steadily shatter delusions
trumpeting your presence
crossing my boundaries.

But I am not here
can’t be found in the light;
cocooned twilight.
You join our hips
expanding as I contract,
filling void with familiar
you still see me where I live.
***

Written for NaPoWriMo Day 18 prompt:

Our prompt for the day (optional as always) isn’t exactly based in revision, but it’s not exactly not based in revision, either. It also sounds a bit more complicated than it is, so bear with me! First, find a poem in a book or magazine (ideally one you are not familiar with). Use a piece of paper to cover over everything but the last line. Now write a line of your own that completes the thought of that single line you can see, or otherwise responds to it. Now move your piece of paper up to uncover the second-to-last line of your source poem, and write the second line of your new poem to complete/respond to this second-to-last line. Keep going, uncovering and writing, until you get to the first line of your source poem, which you will complete/respond to as the last line of your new poem. It might not be a finished draft, but hopefully it at least contains the seeds of one.

I wasn’t too keen on this prompt, so I tweaked it a bit. Instead of finding an unfamiliar poem/poet, I found an extremely familiar one to me. I chose a poet I admire, a frequent collaborator, and a good friend, Tre. The poem I used as a reference is titled The One I Spared. I encourage you to head over and read her exquisite work.

Yesterday, me and Wifey traveled from Whistler back home, and today I had a talk therapy session, so I’m a day behind in my poetry. Perhaps I can squeeze out another one later.

Day 13 – Tastes like Stardust

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Photo by Mike Fox on Unsplash

Tastes like Stardust

The path beyond
our garden
leads
where daylight
won’t tread

where she follows
with eyes that beg
for relief I live
to provide

touching her where
her lean suggests

spinning circles
where her breath
catches and skips
and lingers

her heartbeat
tastes like stardust,
moonbeams and
Venus dimples

I am her
percussionist;
steadily I drum
readily as a duet
is hummed to
an audience
of two

I exist as
both composer and
her instrument to strum
or tease a bar
or two

she is my music
I am her best verse

our groove
not nearly as harsh
as I’m able
or she wants,

but firm enough
to shift firmament
and furniture
where leeway
yields
to leverage,

not leaning into
the strong force or
dark energy,

but as she sheens,
slick from my sweat,
she knows I’m there
***

Written for NaPoWriMo Day 13 prompt:

…write a poem in which the words or meaning of a familiar phrase get up-ended. For example, if you chose the phrase “A stitch in time saves nine,” you might reverse that into something like: “a broken thread; I’m late, so many lost.” Or “It’s raining cats and dogs” might prompt the phrase “Snakes and lizards evaporate into the sky.” Those are both rather haunting, strange images, and exploring them could provide you with an equally haunting, strange poem (or a funny one!)

In all honesty, this prompt left me a bit lost. When I tried in earnest, I was left writing nonsensical garbage. I didn’t give up though; I shifted focus and tried writing about a known event between consenting adults in a new way. It’s not quite up-ended, but I’m ok with the result.

Day 12 – Town of Green Giants

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Photo by Nathan Dumlao on Unsplash

Town of Green Giants

The path beyond the garden hidden among evergreen titans rises and falls on gentle sloping hills that seem to roll upon each other like sleepy lovers playfully jostling for their share of the asphalt blanket. The rain, ever present in a fine mist, tamps down much of the troublesome pollen, while simultaneously opening the senses to pine, fir, rhododendrons, and that smell that smells of renewal; the smell that shocks the lungs into expanding to take in as much as possible.

Children play at the end of the cul-de-sac with a sense of oblivious urgency as they sketch in chalk the scaffolding of worlds only they understand, their shrill voices, quaint little bells of amusement amid mild relief that they’re someone else’s problem as long as the squeals don’t turn into sobbing. Kids at play yield to love songs performed by the neighborhood bird choir, who then yield the stage to the sunset, next then a frog symphony, and if you’re extremely lucky, an owl or two might quiz you.

The path curves, rises, winds, and falls, weaving between tree line and homestead, painting unhurried, sleepy tracers from where love lives to where she wanders to prove herself. She need not travel far; all that is needed is within reach. It is a wondrous balance, living inside a temperate rainforest that hosts a town that hopes to remain sleepy; remote enough to be considered a hassle to visit, and yet somehow, at the center of all that matters.

green giants shush me
it’s the wind rousing the trees
yielding their secrets
***

Written for NaPoWriMo Day 12 prompt: Oh yeah! Stop! Haibun-Time!

Today, we’d like to challenge you specifically to write a haibun that takes in the natural landscape of the place you live. It may be the high sierra, dusty plains, lush rainforest, or a suburbia of tiny, identical houses – but wherever you live, here’s your chance to bring it to life through the charming mix-and-match methodology of haibun.

Anyone who’s been sniffing around this blog from the beginning knows how much I love writing haibun. Still, I’m glad there are no haibun police, as I’m a habitual haibun rule-breaker. I think I did ok with this one.

Day 11 – Who Can Say? I’m not There Yet

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Photo by Niels Smeets on Unsplash

Who Can Say? I’m not There Yet

The path beyond my garden glows for hours
after sunset as winter melts into spring
and spring heralds summer’s pending arrival.

A fringe benefit of living
on the fringe of higher latitudes.

I read that somewhere;
cannot recall exactly where,
it sounds true enough
and I have observed this dim
phenomenon with my eyes.

As I walk the trail of softening afterglow,
I hear an owl cry “Who?” but I can’t see him.

His question is answered
with the question of another owl in the distance,
assumedly her answer to his question
of companionship
in owl-speak.

I shrug and keep moving
as nature is never still,
full of questions and answers
leading to more questions.

Suddenly descended an owl from royal-inked skies,
landing on a sturdy low branch of a tree
darker than its own shadow,
his golden-gemmed eyes trained upon my progress,
he tilted his head quizzically, asking me,

“Who are you?”

“I don’t know,” I answered,
in part because I didn’t know,
but also because I was too startled by
the bird’s complete, articulate sentence
to give his question the consideration it deserved.

But mostly because
I had never considered the question before.

“What do you want?”

asked the owl,
briefly stretching his wings.

“I don’t know,” I answered
before immediately recanting
the lie I’d just told on myself.

“I want contentment,
peace, understanding, longer
dusks like this one, too.”

“Where are you going?” asked the owl,
turning his head nearly 360 degrees
to preen his back feathers.

“I guess I’m just following the sun,” I replied,
which was technically true,
but wasn’t always the case.

I once obsessed over success, fearful of
each morning light finding my flaws and failures,
fretting over being caught unprepared
for the next one to shed light on wasted effort.

Now when I think of tomorrow
– if at all – I think of who
will share breakfast with me,
where will whimsy find me at lunch,
and how far will I travel along
the path leading to twilight.

“Who will you be tomorrow?”

asked the owl, taking flight
to the part of the sky
that had already turned night.

He didn’t wait for my answer,
but not wanting to seem impolite,
I answered him anyway.
***

Written for NaPoWriMo Day 11 prompt:

a poem that addresses the future, answering the questions “What does y(our) future provide? What is your future state of mind? If you are a citizen of the “union” that is your body, what is your future “state of the union” address?”

I greatly enjoyed this prompt, and reading the interview with Kwoya Fagin Maples was amazing and inspiring. I didn’t know who she was, but I will certainly be getting familiar with her poetry.

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Day 6 – Summoning the Summoner

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Photo By Nick Farnhill – cheetah killUploaded by Mariomassone, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=18938737

Summoning the Summoner

The path beyond my garden yields to both reason and whimsy,
the tiled stone becoming clouds
charting my unsteady gait towards the gates of eternal twilight,
where Nihirizumu-no-Kage summons me for reprimand.

My writing spirit is an elegant, lean feline
pacing impatiently in ethereal mist,
her fur dappled in pixelated violet, orange, fiery-red dots,
forever rearranging themselves in new patterns on the fly,
helping to camouflage herself among pastel skies
with long shadows and eerie afterglow.

She is a huntress,
built for chasing down dreams rapidly
while evading what she perceives as threats.

I am perplexed,
as she has never demanded an audience
before now.

“You didn’t heed my call,”
she accused with a hiss,
for she is incapable of roaring.

“How dare you ignore my cry? I had several tales
of love, loss, and woe chambered for you; you only needed
to present the hands to scribe fantasy into reality.”

“I cannot be at your beck and call constantly,” I countered,
“For I am mortal with responsibilities, deadlines, and
people who rely on me to be present. Besides,

I set aside blocks of time awaiting your arrival,
and you rarely visit me then. Why is that?”

“Do you blame the cherry blossom
for blooming only when it’s inconvenient?”
Nihirizumu asked. “Your favorite time of day
is the same as mine; just after sunset,

just before soft blushes become indigoes
and indigoes blend into black.

“Do you blame the sky
for only being that way twice a day,
and only in fleeting moments?

“Only in these moments can you see my beautiful wings,
which only exist to reflect and refract the light
of every sunset ever seen or missed
into every color within the spectrum of our fantasies and realities,
allowing you to see possibilities not yet conceived.”

I narrow my eyes,
glaring impatiently at my impatiently glaring,
pacing,
ostentatious writing spirit.

“You are being willfully dense,
intentionally vague,
and hopelessly unreadable,” I accused, adding,

“Next time,
just come when I ask you,
and not when you clearly know I’m busy.”

Nihirizumu laughed, snorting pink flame from her nostrils,
her eyes, once golden sparks, now electric blue,
freezing ice crystals between her and me.

“And there you go again,” said she, “lashing out
at what you fail to comprehend.

“You like to think that you command me. But still…
I will come whenever the mood suits me.

“And next time,
I expect you to be prepared
to drop everything
and just write.”

Before I could draw breath for rebuttal,
I found myself returned to the stone path beyond my garden,
wondering if evening birdsongs were a battle hymn.
***

Written for NaPoWriMo Day 6 prompt:

Today, we’d like to challenge you to write a poem that stretches your comfort zone with line breaks. That could be a poem with very long lines, or very short lines. Or a poem that blends the two. You might break to emphasize (or de-emphasize) sounds or rhymes, or to create a moment of hesitation in the middle of a thought. Looking for inspiration? You might take a look at this poem by Lorine Niedeckerthis poem by Stanley Kunitz, or this one by Amiri Baraka.

I wrote this poem as a stream-of-thought block of text with little line editing or punctuation. Then I went back and accentuated where I thought the breaks should be instead of limiting myself because a line was too long. It was quite liberating for me.

Folks familiar with my previous blog might recall me summoning my writing spirit from a previous poem. I’ve never been one to shy away from my nerd stuff.