Day 8 – Eating the Crow

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Photo by Peter Hershey on Unsplash

Eating the Crow

The path beyond my garden rounds a bend
trending down it descends into a valley
where public servants serve and
health practitioners practice, and

I run the gauntlet of penalty lights
connecting me to society
like so many decompression locks.

The clock strikes the mark,
but still seeking a spot to park,
I am overdue,

which threatens to undo my resolve
because who can find time to shine
when one is five minutes behind?

Best to resign; forget the whole thing,
forfeit.

This wasn’t supposed to rhyme,
sloppy or otherwise.

I should quit this too,
but I didn’t quit then, and
so I won’t quit now.

I didn’t quit weeks ago,
when after staring into a void,
seeing the cosmos, but no reason
connecting me to its purpose,

nothing grounding me into
what could be construed as a place
within this chaotic nonsense,
I sought a shaman,

but only found mental health professionals
that refused to be summoned via
passive incantations;

I was compelled to actively pick up the phone,
verbally admitting my stigma to a stranger.

I did balk at this at first.
It wasn’t quitting; it was a
three-week mental break

from this mentally
counter-intuitive method
of seeking mental help.

But after picking up the phone and
admitting to the disembodied voice that
I needed someone to help me with the void,

the space between she and me and

between me and every other living thing
she scattered colored talisman on a map,
pointing me to the sacred realms nearest me.

I chose a female therapist with an
extremely therapeutic-sounding name
within five minutes of the path beyond
my garden, and so my arriving five

minutes late was actually an impressive
feat of procrastination, even for me,
and so I wanted to quit and eat the co-pay,
but I ate the crow instead, owning my tardiness.

She didn’t seem to mind, which pleased me,
proving that she was in fact
a mental health professional.

But then she wept bitterly at
the telling of my origin story,
which led me to question her
professionalism, my

tenuous place in the universe
unmoored yet again, or still.

Against my better judgment,
I liked opening to her,
so I signed up for a second session,

which I soon cancelled,

as mandated by the laws of seeking
someone to help make sense of things,
she is only available when I’m not.

But I didn’t quit and that alone was legit.

Perhaps when I’m ready to stretch myself again,
I’ll grow more.

Perhaps seeking my personal shaman
is its own medicine.
***

Written for NaPoWriMo Day 8 prompt:

Let’s take a leaf from Shelley’s book, and write poems in which mysterious and magical things occur. Your poem could take the form of a spell, for example, or simply describe an event that can’t be understood literally. Feel free to incorporate crystal balls, fauns, lightning storms, or whatever seems fierce and free and strange. Poetry is like that (at least when you’ve been reading Shelley!) If you’re in search of inspiration, maybe you’ll find it in this poem by Louis Untermeyer, or this one by Kathleen Graber.

I liked this prompt.

Day 7 – Fork

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Photo by Oliver Roos on Unsplash

Fork

The path beyond my garden
forks at impossible angles
like the leading edge
of a switchback where I can
climb or descend,
should I choose one.

On the high path
beckons a
wood nymph;

the low path is guarded by
a cat darker than
light’s absence.

As I approach the switchback fork,
the nymph squeals with delight.

“Follow me,” she squeaks,
“into the sunlight! Ahead lies
treasures of impeccable sights!”

I take a step, but
soon paused to observe the cat,
who shrugs and licks his scrotum,
nonplussed, matter-of-fact.

“I’d go with her if I were you,”
he said between luxurious
unhurried licks.

“Down here, there is only truth
and the sad epiphanies
one can only obtain
through pain; it is the

hard-won knowledge
only attained by loss.

“This path is not for the timid.”

The nymph grabbed my hand with a jerk.
“Up here!” she cried, “on this trail,
no one grows old or dies!

“Your mom is alive and well
and rational and laughing!

“Your not-dead-from-cancer dad
is mighty proud of
all the mighty things
you never did or said, but
imagined mightily
inside your head!

“Your children aren’t disappointed
by your disengaged inertia!

“Racism, jingoism, war,
famine, pestilence don’t exist
up here!

“Follow me, and it
will all disappear,
enveloped by your will!

“What will be will only be
if only you dream it so!”

I glance back at the cat,
who just sat and shrugged.

“I won’t pretend to compete
with the little fairy up there.

“Down here, there is truth;
only the reality
of what is, and tough
conversations leading
to more sad truths.

“You may learn new things
about you that you may not like,
only to find that
you’ve always known them.

“Reckonings don’t come with good vibes.
That’s why they’re called reckonings.

“But there is knowledge
in great abundance”

It’s the same daily routine,
and I follow along,
playing my part as if guided
by some sacred ritual.

I always “let” the nymph
drag me along the high road,
not just because it’s easier,

but I could take the path
a billion times and it always
leads me somewhere new.

But upon return,
I accompany the cat
upon the low road,

knowing it always leads home.
***

Written for NaPoWriMo Day 7 prompt:

In our interview, Kyle Dargan suggests writing out a list of all of your different layers of identity. For example, you might be a wife, a grandmother, a Philadelphian, a dental assistant, a rabid Phillies fan, a seamstress, retiree, agnostic, cancer survivor, etc.. These are all ways you could be described or lenses you could be viewed through. Now divide all of those things into lists of what makes you feel powerful and what makes you feel vulnerable. Now write a poem in which one of the identities from the first list contends or talks with an identity from the second list. This might turn out to be kind of a “heavy” exercise, emotionally, but I hope you will find the results enlightening.

Indeed, that did sound like a “heavy” exercise, and as much confessional poetry as I write, this one didn’t appeal to me too much. When I start making lists of things that I am, that list inevitably turns dark for me. I still did the prompt, though I skimmed the surface, opting not to dig much deeper.

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Day 6 – Summoning the Summoner

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Photo By Nick Farnhill – cheetah killUploaded by Mariomassone, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=18938737

Summoning the Summoner

The path beyond my garden yields to both reason and whimsy,
the tiled stone becoming clouds
charting my unsteady gait towards the gates of eternal twilight,
where Nihirizumu-no-Kage summons me for reprimand.

My writing spirit is an elegant, lean feline
pacing impatiently in ethereal mist,
her fur dappled in pixelated violet, orange, fiery-red dots,
forever rearranging themselves in new patterns on the fly,
helping to camouflage herself among pastel skies
with long shadows and eerie afterglow.

She is a huntress,
built for chasing down dreams rapidly
while evading what she perceives as threats.

I am perplexed,
as she has never demanded an audience
before now.

“You didn’t heed my call,”
she accused with a hiss,
for she is incapable of roaring.

“How dare you ignore my cry? I had several tales
of love, loss, and woe chambered for you; you only needed
to present the hands to scribe fantasy into reality.”

“I cannot be at your beck and call constantly,” I countered,
“For I am mortal with responsibilities, deadlines, and
people who rely on me to be present. Besides,

I set aside blocks of time awaiting your arrival,
and you rarely visit me then. Why is that?”

“Do you blame the cherry blossom
for blooming only when it’s inconvenient?”
Nihirizumu asked. “Your favorite time of day
is the same as mine; just after sunset,

just before soft blushes become indigoes
and indigoes blend into black.

“Do you blame the sky
for only being that way twice a day,
and only in fleeting moments?

“Only in these moments can you see my beautiful wings,
which only exist to reflect and refract the light
of every sunset ever seen or missed
into every color within the spectrum of our fantasies and realities,
allowing you to see possibilities not yet conceived.”

I narrow my eyes,
glaring impatiently at my impatiently glaring,
pacing,
ostentatious writing spirit.

“You are being willfully dense,
intentionally vague,
and hopelessly unreadable,” I accused, adding,

“Next time,
just come when I ask you,
and not when you clearly know I’m busy.”

Nihirizumu laughed, snorting pink flame from her nostrils,
her eyes, once golden sparks, now electric blue,
freezing ice crystals between her and me.

“And there you go again,” said she, “lashing out
at what you fail to comprehend.

“You like to think that you command me. But still…
I will come whenever the mood suits me.

“And next time,
I expect you to be prepared
to drop everything
and just write.”

Before I could draw breath for rebuttal,
I found myself returned to the stone path beyond my garden,
wondering if evening birdsongs were a battle hymn.
***

Written for NaPoWriMo Day 6 prompt:

Today, we’d like to challenge you to write a poem that stretches your comfort zone with line breaks. That could be a poem with very long lines, or very short lines. Or a poem that blends the two. You might break to emphasize (or de-emphasize) sounds or rhymes, or to create a moment of hesitation in the middle of a thought. Looking for inspiration? You might take a look at this poem by Lorine Niedeckerthis poem by Stanley Kunitz, or this one by Amiri Baraka.

I wrote this poem as a stream-of-thought block of text with little line editing or punctuation. Then I went back and accentuated where I thought the breaks should be instead of limiting myself because a line was too long. It was quite liberating for me.

Day 5 – Zion, the Midnight Tree Goddess

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Photo by Alessio Lin on Unsplash

Zion, the Midnight Tree Goddess

There is night emerging beyond our garden path standing near Zion
her branches end starvation of tidal-locked, structured souls
in her drunkenness, in her leaves, we grow old, regaling our wonder

There is night emerging beyond our garden: lavender scented foresight
in deeds defined as barren, fallen branches lie apart from her sullen trunk
night reveals, night compels gorging on unripen fruit in solitude

Last stand under stars of this cosmos. Ruminating over severed gardens
one last man demands the wooden goddess to tell him of the other souls
in the world. In gruff, even monotone, even miserly tone came her reply

Dancing the same, even, rooted hug-and-sway. She let him know that
her severed night emerged beyond our understanding, even she, Zion: to deceive them
is to be stranded among the river of stars, to intersect brooding night alone

Paralyzed by light-governed dark, synapses break like glass vessels
alone then / alone now, lonely then / lonely now
untended as broken branches.
***

Written for NaPoWriMo’s Day 5 prompt:

Today, we’d like to challenge you to write a poem that, like the work in Translucence, reacts both to photography and to words in a language not your own. Begin with a photograph. Now find a poem in a language you don’t know (here’s a good place to look!) Ignore any accompanying English translation (maybe cover it up, or cut-and-paste the original into a new document). Now start translating the poem into English, with the idea that the poem is actually “about” your photograph. Use the look and feel of the words in the original to guide you along as you write, while trying to describe your photograph. It will be a bit of a balancing act, but hopefully it will lead to new and beautiful (and possibly very weird) places.

Weird places indeed! That was certainly challenging (and at times frustrating), but I’m glad I stuck with it and I’m pretty chill with the result.

The poem I chose is titled, rather fittingly, A Big Bang, by Runa Svetlikova. To the surprise of absolutely no one, the actual English translation is far more optimistic than my fake one.

Day 4 – Black Thumb’s Mercy

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Photo by Katya Austin on Unsplash

Black Thumb’s Mercy

The path beyond my garden is knotted and
frayed at the edge where our overgrowth tumbles
onto boundaries between us and them.

No major action taken thus far by us,
the current owners, to curl back the
photosynthesized nonsense from the
well-manicured landscape of our neighbors

– that is, outside of
assassinating a few weeds

– well, wifey does that part,
as I’m fortunate enough to have
asthma’s hacking fits, and the man-child
who still honors us with rent-free company

over-promises and delivers but a
lukewarm token hack-job, earning him no pay.

Best leave killing for the pros, anyway.

No matter though, as wifey has enough
murder in her heart for thugged-out weeds,
shriveled plants that were once treasures, and
even the poor trees guilty only of being

rooted in the wrong place at the wrong time, as
she hacked down the sturdiest foliage planted
too close to home to be considered safe

– actually, for this part she mostly
hired contract killers, but she may as
well had pulled the trigger herself.

While watching from the safety of the living
room, I successfully pleaded for the life
of the largest tree landmarking the edge
of our property with the biggest spring blossoms,

the sturdiest leaves that clutter the driveway
in autumn, and – basically, it lives as
the tree wifey swears at the most.

She spared this tree because I enjoy
looking at it from our living room window.

This slob-of-a-tree and a few Rhododendron
– or Azaleas, because Christ – put a gun to my
head and I still couldn’t tell the difference

– are all that remain from what was once a
thriving botanical garden of what wifey called
ugly plants that deserved to die.

But she spared my messy-ass tree, and
kindred spirits make for good company.

I bet the neighbors miss the previous
gardeners as much as the slain garden,

especially in the back yard, where it looks
like zephyr invited squall and tornado
to a rave, leaving behind pine-needle
confetti as neighboring trees litter
their dead-weight over the fence into our
yard in the form of broken branches.

They don’t know how lucky they are to have
been planted on the other side of our fence.
***

Written for NaPoWriMo’s Day 4 prompt, and I’ll just quote the prompt from the site:

Today, we challenge you to write a poem that is about something abstract – perhaps an ideal like “beauty” or “justice,” but which discusses or describes that abstraction in the form of relentlessly concrete nouns.

This was easily my favorite prompt thus far. I don’t know if my effort measures up, but I relished the challenge.

Day 3 – Aggressive Pollination

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Photo by Jian Xhin on Unsplash

Aggressive Pollination

The path beyond my garden
of good-lookin’ and evil
the wrath of Kahn, your warden
is shook – tooken’ reprieval

The chain of fate I break
on the back of daffodils
remaining late, you skate
on the tracks of raptured wills

Our style, denying us sleep,
I stand, react,
fight the game that slick freaks would

meanwhile you trying to keep
the band intact
like your name was Mick Fleetwood

I can’t sleep good, subconsciously
wait for an elevator
your technique lured, and tonically,
fate’s a great generator

We fight, freak, stood upright,
sonically copulate,
resonator

alight, streak, should midnight
chronically evaporate,
venerate her
***

Written for NaPoWriMo Day 3 prompt; writing a list poem in which all the items are made-up names. I gotta be honest; I started out trying to make up band names, but midway through I became somewhat distracted… you know… by flowers.

Bah! I’m counting it.

Day 1 – Coyote

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Photo by Joshua Wilking on Unsplash

Coyote

The path beyond my garden
slick with rain, heavy falling,
weighing all down with greying
fur of a coyote blocking my way,
challenging my journey.

His fur, saturated by rainfall,
hangs in greying tendrils,
his soaked shadow bolstering
his foreboding visage.

His yellow eyes lock onto mine,
knowing them with a
disdainful familiarity.

“You fear me,” he said,
almost wearily,
“even now, even still,
fearful they’ll know it all,

not just all the sobbing
– you’ve been a crybaby all your life,
yet you hide in plain sight – but you’re
fearful of revealing deeper shame.

“I was an uncooked shrimp
held by your father to
menace you at age five,
remember?

“You cowered from your unprepared dinner,
flummoxing and enraging your dad into
giving you something real to cry about.

“Your chest-piece was forged that day.

“Remember many years and
several armored fittings later when
I pushed you down with no one around to see?

“I recall your relief
at not having to look into
mother and brother’s eyes.

“You were glad you didn’t have to fight back.

“I don’t know how long
you’d have let me pummel you
before a child half your size
rushed in to defend your meekness.

“That’s when you rose and
gave me everything you had left,
knowing it wouldn’t be enough,
I guess it didn’t matter.

“I know your secret shame,”
said the weary coyote.

“Even now,
you would surrender
if there were no one around
to witness you quit.”

“You are a fool to think you know me,” I laughed.
“You are but a ratio of a shadow;
a trick of light and absence of color.

“It’s true I’ve always been soft and meek in a
world that’s too hard and brutal for my liking.

“But what you see in my loved one’s eyes as
pity and shame, I see as compassion and love.

“I don’t shy away from it;
I draw strength from it.

“And though my impenetrable exterior
may be a well-crafted illusion,
what lies beneath my meekness is
a ferocity I fear most.

“Yes, I would rather run away
or curl-up and take the hits,
but if they need me, then
I see things differently.”

“One day you’ll grow weary of
hiding your true self,”
snarled the coyote,
closing in on me.

“I already am, fool,” I retort.
“But this is who we are.
And now I am cold and wet.
End this foolishness,
and return to me.”

With that, the coyote leapt at me,
draping himself around my chest,
back, and shoulders.
***

Written for NaPoWriMo’s Day 1 prompt: write a poem that is based on a secret shame, or a secret pleasure. Obviously, I chose the former. 

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Day 0 – Ode to my Dearest Portal

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Photo by Jordan Wozniak on Unsplash

Ode to my Dearest Portal

The path beyond my garden leads
to where asphalt kisses the sea.

I sit near the transition
and blow kisses effortlessly
to she who swims in
antipodean ocean
and backpacks in autumn outback,

shake hands with a man standing
in Swedish snow where winter
won’t yield easily to spring,

offer support and
love vicariously at
Vancouver seaport,

embrace a hug
in London fog,

swoon on Singapore island,
exchange dreams where eastern Europe
merges with Asia,

sharing tea, death poems,
and sunrises in the Land
of the Rising Sun.

Here within my cherished portal,
the sun always rises,
shedding light on new poetry
from brave, sharing souls
around the globe.

I’ve lived countless lives and loved in
ever increasing abundance,

touching without touch
via normal and long-touch,
swiping hearts and being swiped
while swiping-right and all directions.

Signals sent from points abroad
careen toward antenna,
out above atmosphere,
from satellite to satellite,

down through the thin blue into
receiver, decoded, delivered
to me via you; a device
designated both smart and phone,
but is actually neither.

Still, I’d never begrudge your
ostentatious designation,
as you have done well by me

in opening me to new poetry,
ideas, friends, and lovers
– platonic and fantastic.

And that you do all this astoundingly
half a decade past warranty,
makes me love you even more deeply.
** *

Written for NaPoWriMo’s Day 0 prompt, write a poem in the form of a love letter, to an object. Obviously, the object I chose is my phone, which takes me everywhere I want to be.

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A Cat

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Photo by Antonio Lapa on Unsplash

A Cat

On the first day of spring
a cat came to me.
Her collared tag sparkled,
reflecting glints of sunlight
from her bejeweled collar.
Regal, majestic, passive poise
was her manner of movement
and sitting stillness
– if a cat’s movement and
stillness could be considered
in such human grandiosities.
She received me just as
Grandmaster Yip Man decreed
when teaching novices
basic grappling techniques
– “Greet what arrives,
escort what leaves,
and rush upon loss of contact.”
A Wing Chun master feline,
ruler of our centerline,
razor claws, carefully
retracted while restricting
movement and momentum,
intimate dominance, fleeting
for before I made sense
of my senses, she fled.
Why she came I cannot say
– she wasn’t hungry, and
she only knew me in
the manner that all cats of
certain domestication
know their fellow humans –
and yet she came right to me
leaning into my space,
mewing a few kind words
I could only guess at
since I don’t speak cat.
Of course I mewed right back
unclear on the syntax
but knowing that only
lonely souls lean out to find
random comfort across
diverging species.
***

Shared at dVerse Poetics: Soul gazing , hosted by Paul Scribbles. Poets have contributed to this prompt here.

 

Mortal and Liable to Fall

Mortal and Liable to Fall

You fling away your essence
leaping into a foreign faith.

I dig my toes into earth
in envy of the invisible.

You sing, summoning blossoms
my lungs expand in time with vibrations.

The unknown
tempts me –

I can only float
where reason shows the natural path.

Current spent
I am sent… points unknown.
** *

I was inspired by my friend trE’s eloquent poem, Take Off. I encourage everyone to head over and read her work.