night conceals atrophy and decay
but it happens all around us
what binds us will fall away
our flesh and bone to dust
give me your answer
before we rot
I love you’s
heard by
none
***
“Come and see”
you sternly demand
without speaking
in midnight silence
with icicle eyeliner
a cold glare that incinerates
inhibitions, leaving only
appetite and tongue wandering
to taste where boundaries blend
black and white into
delicious greyscale.
I see your intent
and hesitate,
just a beat;
“Come and see”,
I calmly answer
your unspoken demand
with an in-kind moon-soaked stillness,
and I wait, knowing
intuitively that the
crescent reflected in your scowl
won’t wait for my verbal consent
as my silence screams yes,
in fact, I am indeed
delicious;
come and see
that this cold pale night
is nourished with the
red succulence
she urgently craves;
come and see
if your prey bites back
with carnal-clawing contempt
as you hope he does;
come and see
where the pulse of my
power comes from
by gripping my flesh, my neck,
my third rail,
writhing, thrashing
as my voltage and current
animates and courses through you
and you find yourself
lacking the energy
to release me,
come and see
the ice goddess convulsing,
coalescing upon our blending,
knowing herself sated
and overflowed upon a
worthy vessel,
whose goal was only to answer
her unspoken question coolly,
casually, completely and
comprehensively.
What if our cleaner lines were gobbled-up by my pen?
What if I sketched our imperfect borders into nothing?
What if I created perfection; a blank slate?
What if I swallowed the wrong words instead?
What if I said the right thing and you stayed?
***
My final poem of the year, written for the final Real Toads prompt ever: PLAY IT AGAIN! with REAL TOADS, hosted by Kerry O’Connor. I chose to write to Kerry’s LET’S FIND OUR POETIC VOICE prompt and then – as a tip of the hat – to erase, clean, or “un-write my voice”, as many of the wonderful prompts here directly contributed to my poetic voice growing and stretching in ways I never imagined possible.
Thank you to everyone at Real Toads – both the hosts and the contributors – for all of your efforts, encouragement, and support. I know this isn’t goodbye, so I’ll see you all out there next year.
After erasure, starting anew,
I’d begin with you in permanent ink,
and perhaps myself next in shading-pencil,
or even a charcoal, perhaps not
quite that dark or indelible.
You see,
I don’t know
where I’m supposed to be,
but it never really matters
as long as you’re here
with me,
and not necessarily here with me,
but somewhere
on this massive rock,
daring to exist without meaning,
exchanging meaningful vibrations,
we’d bubble, churn,
and ooze into anvil-clouds,
raining grey slivers onto sunsets.
Because I love you,
and that is true and fine
and completely permissible
even without my understanding;
I say the words, and I feel it,
even as I don’t know exactly
what it means; I mean I chose it,
but even had I not,
I’d have it all the same,
splitting my breastplate,
spitting into my denying eye
as the heart rushes to keep pace
with the words that won’t come,
claims that get caught out-of-sync
like an 80’s high-hat sharp-hit
where a 90’s boom-bap snare-kick
should land as planned.
Nothing went as planned;
I crave order and there is none
and that is perfectly fine
except when it isn’t;
I desire structure and superstructure
even as I chafe at the yoke
holding us together; holding us apart;
I’d shatter the firmament
for your fleeting smile;
with a snap of my fingers,
I’d snuff-out the sun
if it meant that my final moments
were sitting on a rapidly cooling
solitary park bench
next to you,
hips scarcely touching,
in tranquil silence.
I’d ruin the image,
saving your sketched outline;
my greatest work.
How can I possibly remake this world,
the next, or any other?
My own name,
now and beyond,
lacks structure or meaning
unless you write its narrative
with hands that shape its very context,
or unless you call upon it,
breathing its purpose
with your own lips;
which isn’t the same as saying
without you in my life, in some way,
I am nothing,
but it’s oddly similar to
The Commodores without Lionel Richie
in that I struggle to find the point.
But what I do know is this;
I’d begin with you
in permanent ink.
***
These six Landay (Couplets of nine and thirteen syllables) may be read as a single poem, but they were created as six separate poems about six separate subjects.