Day 11: Fate of the Lilies

Image by S. Hermann & F. Richter from Pixabay 

Fate of the Lilies

it was an Easter Sunday
she wanted the white lilies
or maybe they were tiger
or stargazers; who can say

I’m no botanist for sure
but I gifted them to her
roots in-tact for repotting

she squealed with impish delight
showering me in kisses
I fought her back, kiss for kiss

she said she loved me, then gasped
asking if that was ok

I assured her that it was
and that I loved her as well

when can I see you again
she asked between prolonged hugs
her sparkle drawing me in

as soon as we are able
I said, strengthening my grip

she blinked back tears with a wink
cramming with delicacy
her potted plant and body
into her car to depart

I’ll text you when I make it
she said with one more blown kiss
she was true to her word, but

I never saw her again

looking back, it hurts to breathe
but still, it was for the best
as we were from different worlds

I don’t know what lilies mean
but the ones I got for her
are probably long dead now.
***

NaPoWriMo Day 11: Today’s challenge – Language of Flowers:

Our optional prompt for the day is based on the concept of the language of flowers. Have you ever heard, for example, that yellow roses stand for friendship, white roses for innocence, and red roses for love? Well, there are as many potential meanings for flowers as there are flowers. The Victorians were particularly ga-ga for giving each other bouquets that were essentially decoder-rings of meaning. For today, I challenge you to write a poem in which one or more flowers take on specific meanings. And if you’re having trouble getting started, why not take a gander at this glossary of flower meanings? (You can find a plain-text version here). Feel free to make use of these existing meanings, or make up your own.

I found out retroactively that the white lily is associated with purity and is often used as a funeral flower. Also, in Buddhism, tiger lilies represent the virtues of mercy and compassion. Make of that what you will.

Stargazers symbolize lots of stuff. Google it for yourself. This blog poem about flowers is over!

Day 9: Heart-Shaped Dispensation

Photo by Robin Spielmann on Unsplash

Heart-Shaped Dispensation

                        I often                                              wonder
               who came up with                       the valentine-esque
          shape of candy hearts,      as   it resembles nothing of the
      real thing; the vascular     juggernaut seemingly balled into an
    angry fist, forcing fluids     and nutrients to their destinations, no
     thought ever given to its      alleged fragility, or odd tendencies
        for breaking upon rejection,    betrayal, or loss; still though,
            then again, upon reflection,     after experiencing each
                    of these things personally,      at the moment of
                            impact, it was my own    chest I grasped
                                  at, hoping to ease    the pain. Still,
                                           it’s an odd, silly     design,
                                                     though, but     for
                                                          now, I will
                                                              allow
                                                               it.
***

NaPoWriMo Day 9: The Challenge:

Today, I’d like to challenge you to write a “concrete” poem – a poem in which the lines and words are organized to take a shape that reflects in some way the theme of the poem. This might seem like a very modernist idea, but poets have been writing concrete poems since the 1600s! Your poem can take a simple shape, like a box or ball, or maybe you’ll have fun trying something more elaborate, like this poem in the shape of a Christmas tree.

Obviously, I went with a heart shape. Perhaps less obviously, I tried to put a crack in it, but it came out rather wonky. Well, at least I tried.

(A special thank you to Maureen Thorson for featuring my Day 8 poem on her NaPoWriMo site. I’ve never been moved to write for the site traffic, but the unique hits here have gone through the roof, and I greatly appreciate all the new poets and readers visiting me. I’m a bit overwhelmed right now, but I will do my best to visit each of you as well.)

Day 8: A Poem Beginning with a Line by Sylvia Plath

Photo by Warner on Unsplash

A Poem Beginning with a Line by Sylvia Plath

Musky as a lovebed the morning after.
As blue a sky vintage toxins could allow.
Remnants of when playing it cool was disrobed.
Careful not to drop breadcrumbs, out slipped the tongue,
afraid of what could be left unexplored, lost.
What was said, now muddled; tangled, dangled sheets.
Secrets spilled upon linen, taunts veiled in smiles.
Favors returned in earth-suckles and shudders.
Reflections! How urgent! Come through! Come, midnight!
Fat and black, moonless regrets are swallowed whole.
At sunrise, only faint aroma lingers,
pushed aside by a faint whiff of breakfast as
only briefly, hunger displaces hunger.
It all makes sense when thinking of that first kiss.
Still don’t know of the why, but glad of the how.
***

NaPoWriMo Day 8: “…peruse the work of one or more of these twitter bots, and use a line or two, or a phrase or even a word that stands out to you, as the seed for your own poem. Need an example? Well, there’s actually quite a respectable lineage of poems that start with a line by another poet, such as this poem by Robert Duncan, or this one by Lisa Robertson.”

NaPoWriMo nailed it with this one. They even provided me with a Sylvia Plath Twitter Bot, and anyone who reads me probably had an inkling that it was either going to be Plath or Poe.

Day 5: Short Spring

Photo by Devin Avery on Unsplash

Short Spring

over time, trauma is a thief of joy
two fingers of bourbon mug the mugger
spring oozed into her room nonchalantly
embracing us with equanimity
her voice cooing we shouldn’t do this now
her lips tasting of why haven’t we yet
the fire in her almond eyes read mine
we chose the same musk-knotted adventure
music was jealous of our harmony
you introduced me to Martin Gore and
I didn’t get him, but through you, I did
I’m jealous I missed your London punk scene
and all the parts that broke you apart
we were both trauma and broken things
we been runnin’, done ran, till we bumped heads
finding joy in tending each other’s shards
I lived to cut myself open on you
seducing you into seducing me
say I won’t rise to meet your velvet taunt
your tongue had already run us through
I marked you as mine when your teeth pierced me
by the thinnest skin of goddess sinew
we loved, clear-eyed in the blackest of night
as the box-springs sang je t’aime, je t’aime
you took my life each time I surrendered
only to find your dear Eeyore renewed
I’ll re-steal this joy, returning to us
delightful, bottled beautiful struggle
thus was the elixir of our short spring
***

NaPoWriMo Day 5: “Twenty Little Poetry Projects,” developed by Jim Simmerman. The challenge is to use/do all of the list below in the same poem, or as many as possible. This was extremely challenging, but also super engaging. I kicked off my shoes, threw out the punctuation, meditated on a topic that frequents my thoughts, (I was born a dirty old man. Sorry/not sorry) and started tinkering. I fudged some of the criteria, but I honored the spirit of all twenty requirements.

Here they are:

  1. Begin the poem with a metaphor.
  2. Say something specific but utterly preposterous.
  3. Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
  4. Use one example of synesthesia (mixing the senses).
  5. Use the proper name of a person and the proper name of a place.
  6. Contradict something you said earlier in the poem.
  7. Change direction or digress from the last thing you said.
  8. Use a word (slang?) you’ve never seen in a poem.
  9. Use an example of false cause-effect logic.
  10. Use a piece of talk you’ve actually heard (preferably in dialect and/or which you don’t understand).
  11. Create a metaphor using the following construction: “The (adjective) (concrete noun) of (abstract noun) . . .”
  12. Use an image in such a way as to reverse its usual associative qualities.
  13. Make the persona or character in the poem do something he or she could not do in “real life.”
  14. Refer to yourself by nickname and in the third person.
  15. Write in the future tense, such that part of the poem seems to be a prediction.
  16. Modify a noun with an unlikely adjective.
  17. Make a declarative assertion that sounds convincing but that finally makes no sense.
  18. Use a phrase from a language other than English.
  19. Make a non-human object say or do something human (personification).
  20. Close the poem with a vivid image that makes no statement, but that “echoes” an image from earlier in the poem.

Day 2: Mixed-Use

Photo by Janine Robinson on Unsplash

Mixed-Use

I’ve been told that way back in the 40’s
our Rosenwald complex was a black pearl
on Chicago’s South Side during the
blues, jazz, and soul renaissance.

It sheltered greats like
Gwendolyn Brooks, Nat “King” Cole, Quincy Jones
 – girl, I said Quincy Jones!

I think even Miles Davis
and Sammy Davis Jr,
but no relation, I believe.

I’ve been told that black folks in Chi
strutted down gaslit 47th street,
danced on smokey Michigan Boulevard,
sang on King Drive, and even Wabash
like they owned the night;

with a sense of pride
and musicality befitting us,
inseparable from the music

spilling from every throbbing tavern,
and even “hole-in-the-wall” was
just a teasing nickname thrown
at friendly endearing faces.

If I squint, I can see gilded hallways
of way back when,
which reek of pungent piss now.

I observe the sheen of polish
on some of the tiles not defiled
by dual-pitchforked, Star-of-David
Gangster-Disciple gang-sign graffiti.

Or is it Gangsta? I try to discern  
the artist’s penmanship from
the ones in our high school instead of

meeting your desperate gaze
as you kneel before me,
taking my hands in yours
in a shameful proposal.

Just yesterday, I’d given up on you.
I’d no tears left to cry over a girl
who don’t want me no more.

Now you return, on your knees,
perfumed in Bacardi rum and weed
you never thought to share with me.

What am I to make of this?

You didn’t even respect me enough
to break up with me;
you ignored my pleas
until I got the message.

Now you want to rewind the clock?

Any boy with a good upbringing
and a residue of self-respect

would’ve slammed that heavy
security door in your face for good,
chaining, deadbolting, and security-pole
in place for all eternity.

Sadly, this building
has seen better days,
better than I can imagine.  

He spurned you as you betrayed me,
you humbled yourself after falling,
and try as I might, I just couldn’t
kick you while down on that musty-ass floor.  

I lifted you from your knees,
welcoming you back into my
self-loathing and desperation,
knowing that I could expect no better.

I walked you home around the corner,
across the dusty courtyard
that once held fresh, manicured grass
when we first moved in.

I held your hand in mine,
thinking that to love you
went hand-in-hand with my
needing you somehow;

that without your water,
my life was empty, dead,
dusty-brown, a rusted, rotten
swing-set without swings;

only tetanus would remain,
waiting for antitoxin or
inevitable condemnation

and abandonment, twenty years from now,
long after our ill-advised marriage cracked,
eroded and ended; long after you

kneeled before me once again,
begging me to hold up my end
of our sham, a plea met with
silence and emptiness, like

the decayed ruins we once called home some
thirty years and two-thousand sixty-four
miles ago, before its renovation
into an elderly citizen’s home,

which is fitting, for all things age, slow,
decay, and are eventually consumed

by silence; even music
 – the most beautiful, the most vibrant;  
 – the most soulful, the most mournful
is fleeting, and always ends,

making way for the next,
as star becoming nebula
becomes proto stars.

I hope whoever walks
that hallway now
smells only lavender.
***

NaPoWriMo Day 2: “…write a poem about a specific place —  a particular house or store or school or office. Try to incorporate concrete details, like street names, distances (“three and a half blocks from the post office”), the types of trees or flowers, the color of the shirts on the people you remember there.”

I tried to be descriptive, but I was eventually sucked into the narrative. I may try this one again after this month’s challenge ends.

Orphaned Chick Requiem

Photo by Udayan Patil on Unsplash

Orphaned Chick Requiem

Who will sooth her nerves, earning fleeting trust,
as ruffled feathers make for flavor-spoil?

Who will preen her feathers through broken wings,
mending her tender meat before the broil?

Who will have steady, firm, gentle, calm hands
that know their way around a butcher’s block?

Who will feed her rich seeds sowed in kindness
hiding his axe as it strikes without shock?

Who will weep for the guileless young birdie,
who, through no fault of her own grew alone?

Who now wanders our woods, an unmoored ghost
haunted by a love she has never known?

Who will weep for this girl, led far astray
who strays from divine feminine to prey?
***

Consider this my NaPoWriMo/GloPoWriMo tune-up.

greeting card

dawid-zawila-zb2vBaHYB2I-unsplash

Photo by Dawid Zawiła on Unsplash

greeting card

“thinking of you”
written neatly, carefully
in black ink followed by ellipsis…

enclosed in insert
on sensible stock
of reasonable price

the card cover
gilded, framed, centered

a woman in repose
lounging in secret garden
drunk from moon beams
arm draped dramatically
over forehead,

informing of intimacy
concealed within her fold
open to my eyes

arriving, postmarked for
a random Tuesday, observing
of no one’s birthday

nor season’s greetings
not even candied-red hearts
with “be mine” carved
in sugar and bone meal

only an internal reveal
on a random day
after a weekend filled
with intimate truths

homemade mac-n-cheese
unremarkable, but meticulously
made to impress her

and gentle breath
on porcelain skin

contrasting in moonlight
with the rise and fall
of my mahogany drawn taut

gripping the night with her
with vigorous release

our spiritual surface long pierced,
our raw matter, now entwined
arriving at urgent merge

followed by teardrops

falling, pouring, mingling with grins
our brim overflowing with
graceless embraces

knowing how long we waited
pleading with fated winds

to stir currents leading
to this moment no longer obscured
by shadow of what should be

for one fleeting cherry bloom
we breathed our flesh into dream

birthing a brief reality
every bit as pure as gold
our priceless loot

the gilded frame, folded paper
and measured ink of sensible fee,

a remnant of a time
when we unfolded ourselves
opening to new gilded treasures

remembered, commemorated by her
in a postage-stamped envelope
addressed to this lonely man, piercing
my blue veneer yet again, knowing,

intuitively, without a doubt
I was thinking of her too…
***

Raising no Girl

john-noonan-QM_LE41VJJ4-unsplash

Photo by John Noonan on Unsplash

Raising no Girl

I saw it, plainly;

Just after his ill-advised drunken roughening
of his eldest child; a traditional, time-tested
tempering of adolescent ebony male steel
for a blackened, heartless, aggressive, manly world,
as was the loving intent lovingly lent to me
from him, a scruff-grabbing, face-slapping heirloom
passed down through generations of blunted mentorship.

I spied it briefly,

but it was there behind the noxious bravado,
deeper than dreaded defiance compelling him
to press his preteen into a flinty real man,
despite whimpering protests from soft, weak women;
yielding aunts, sisters, mothers wielding empathy
like mewling wussified consolation prizes
world-weary women who ironically knew well-
enough real pain to know better without having
to see it; who could blame them; they’re only women.

They don’t know what it’s like for a modern black man
to be crushed by callous strangers in a hard world;
only the intimacy of a bone-rattling
thump in the chest by a trusted father-figure
can prepare a young black boy for a crapsack world;
accept this gift in stoic silence, pay if forward,
and you best not shed a fuckin’ tear, young-blood, ya hear?

Yeah, I heard the words, and my chest burned, and
my face stung with blood flowing to the cheek-
capillaries of the light palm-strike, and the
lump in my throat sought exit in a sob
I denied, but in bracing to breathe, see,

there; I caught a glimpse.

“See? He ain’t hurt!” crowed dad, like a boss.
“That’s my boy! I know my fuckin’ son!
He ain’t no bitch! Ain’t that right, lil’ nigga?”

But when he asked for my co-sign, that’s when I saw it.
I saw it for the first time firsthand; buried within
the recesses of his whiskey-soaked eyes were hints
of its depths; similar scenes like this played, replayed
countless times over generations, his mentors
daring him not to cry after betraying him
with brutality-as-brotherly-love, calloused
hands hardening him for a world of hatred and
intolerance, his mentors’ elder brothers, uncles
delivering the same painful, loving lesson,
perhaps extending back to the days of shackles,
whips, toiling under another man’s burden
who saw us as less than three-fifths of a person.

Within that instant, that fraction of a second,
I saw in father’s eyes, a gaping, festering
generational wound not soothed by gulping whiskey;
my father’s pain leered at me across decades,
bloodshot and vile, that tough-love message twisted and
mangled, much like our very ancestry.

“Don’t cry.
Do not cry.
Not here, not now,
not ever.”

“If you cry,
I’ll give you something
to really cry about.”

“Don’t you dare fuckin’ cry, boy.”

“A real man don’t cry.”

“Bury your pain like a man.”

“You better not cry, boy.
The women are watching.”

Please don’t cry, boy.
If you do, shit,
I might cry too.”

“If you cry right now,
I’ll cry because you’re in pain,
because I caused it.”

“If I cry because I’m the cause of your pain,
then the cause of what I’ve done to you
will amount to absolutely nothing.”

“If you cry and then I cry,
then that can only mean
the way we’ve been told to live our lives
is just a bunch of bullshit.”

“If we cry right here, right now, together,
then that would mean compassion should’ve been
our strength, that yielding was the key the whole time,
that the words ‘behaving like a woman’
should never had been wielded as an insult,
and every man I know and respect
completely missed the fucking mark.”

“Please don’t cry now, son;
don’t give the world the satisfaction.
Let’s save face together.”

I blinked back tears, willing them not to fall,
and painted a defiant smirk on my face.

“Naw I ain’t hurt, dad!
You know you ain’t raising no girl!”

Father playfully tussled my hair,
knowing our secret shame was safe,
brittle spirits hidden in plain sight,
now hardened for an unyielding world.

But yeah, I saw it.
***